Mixing & Mastering Engineers, Producers & Songwriters who worked with Collision of Innocence

Over 20 years of Mixing/Mastering experience covering a wide range of genres.

Electronic music combined with live instrumentation is what I like. I work full-time as an recording/mixing engineer, and I make beats in my spare time. I'd like to provide beats and electronic elements to artists or whomever wants it. I am set up and highly experience to edit and do post production for all your audio needs.

Mastering studio specializing in quality affordable masters that fit your budget and your sonic preferences. Studio bass and rhythm guitar player available as well to add some nice thump & fullness to your songs. Get the bass tone of your dreams with a 66 P bass, 68 Guild Starfire, or 74 Gibson EB-0 holding it down.

I'm a singer and songwriter, as well as a content director of an indie media company. My style is marked by a trusting openness—my music is simple and accessible, yet fiercely catchy. My voice has been described as bright, warm, reminiscent of Joni Mitchell, Celtic, and sounding "classic", "soundtrack-y" or of the 1930s.

Female vocalist at the Guildhall School of Music and Drama specialising in jazz and R&B, but also writing top-lines for pop, UKG, folk and indie music. Warm, subtle tone - vocals similar to Eloise, Norah Jones, Corinne Bailey Rae. Top-lines, backing vocals, harmonies, and more.

soft sounds, loud feelings

Let's get you the best version of your track!

Former VP for Orbison Music, Bobby has produced Amy Grant, Ward Thomas & The Mavericks + written How Am I suppose to love for Wynonna Judd, drummer for Peter Cetera, Tanya Tucker, Kenny Loggins, Michael Martin Murphy, Brooks & Dunn

My specialty is a sound that perfectly blends the power and beauty of Japanese and international music!