Mixing & Mastering Engineers, Producers & Songwriters who worked with Cody355

Mixing HipHop/ Rap since 1998.

I am a young Sound Engineer and Musician, into recording and mixing since I was 16. Today I'm 28. I live in Germany working as a Sound Engineer for Snakeytox Studio. I specialize in anything that has to do with rock, blues, acoustic, folk, vintage sounds, etc.. I like trying extremly obscure approaches for producing sounds.

GRAMMY Nominated engineer, with clients including Jeff Beck, The Prodigy, Jamie Cullum and Nova Twins. I take a sympathetic and creative ear to your songs, with an aim to capture and expand upon what makes your music unique.

You can find us here : website : www.sferion.net FaceBook : https://www.facebook.com/SferionRecordingAndRehearsalStudio SoundCloud : https://soundcloud.com/fransatsounddecision

I am an producer since 1988 and a Sound / Mix Engineer since 1991. My first remix for a band (The Wrangles) was in 1985 at the age of 18. Having mixed numbers of hits worldwide (Technotronic, human league Daniel beddingfield Dina carol, jive bunny etc). I turned to Sound- Mix Engineer in 1991. and worked /hired at Emi, Jive Sony music japan etc.

I am one of the top jazz/commercial trumpeters in the city of Philadelphia. I have played with many of the top musicians in the Philly area, and have experience writing and playing in many different styles of music. I also compose and arrange for my band and have been commissioned to write for anything from big band to classical works.

mi especialización se basa en mastering y producción de muchos géneros musicales, principalmente rap/trap, me adapto a lo que el artista pide, y como quiere sonar.

I'm Topias, aka Topi, a Finland-based producer and sound designer specializing in heavy electronic genres like Drum & Bass, Bass House, and Dubstep. Here to help with mixdowns or mastering.

Known for bringing lyrics to life in Reggaetón, Trap, R&B, and Urban Storytelling — in Spanish, English, or Spanglish. I translate your vision into punchlines, hooks, and full songs that stick. Whether it’s a slow heartbreak, a catchy chorus, or a perreo verse, I write word by word — and I know when a song has hit potential.