Mixing & Mastering Engineers, Producers & Songwriters who worked with Bluedive

Productions, mixes, edits, and masters that feel alive — putting emotion first. Bluedive – Everything You Ever Wanted (2025) — Co-Producer, Engineer, Mixer Viana – Elevator Home (2024) — Producer, Arranger, Engineer, Mixer Street Play – An Epilogue (2024) — Producer, Engineer, Mixer Israel Sims – Love Imagined (2022) — Producer, Engineer, Mixer

Latin Grammy Award winner, one of the most important, expressive and eclectic Brazilian session drummer/percussionist, over 20 years of experience in recording and producing with artists such as Gal Costa, Ed Motta, Banda Black Rio, Filó Machado, João Bosco, Céu, Criolo, among others.

Music Producer, Mixing, Mastering, Beat Maker.

My goals is to spread good vibes and positive energy through songs that get people into their feeling whether it's break up, love song, empowering song, angry, etc... I been in love with the music since I was young, I'm an artist myself and would love to collaborate with other talented open minded artist out there as well, Let's makes some bangers.

Productions, mixes, edits, and masters that feel alive — putting emotion first. Bluedive – Everything You Ever Wanted (2025) — Co-Producer, Engineer, Mixer Viana – Elevator Home (2024) — Producer, Arranger, Engineer, Mixer Street Play – An Epilogue (2024) — Producer, Engineer, Mixer Israel Sims – Love Imagined (2022) — Producer, Engineer, Mixer

With 7 years of experience in the local Singaporean scene recording a variety of artists from Shirley Temple to TTDT with the aim of providing warm sounding professional mixes and masters.

French Touch Dj Producer

Cobe-Cobe is a producer, DJ and multi-instrumentalist currently working on an organic house and downtempo project. He has signed to Cosmic Awakenings, kośa musica, Tibetania Records, LiLDream and Camel VIP. A group hypnosis of desert, jungle and metropolis feels, always underpinned by a deep percussive groove.

An independent mixing engineer who grew listening to Rock and figuring how everything, well, mix! Being from the sound for Cinema, I like to have aesthetic/narrative contexts very clear when I mix: nothing worse than hearing a song where you know when each instrument should talk and that instrument is buried into the mix.