Mixing & Mastering Engineers, Producers & Songwriters who worked with Balmain

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Mixing & Mastering Studio - MixMyFrench
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Hi there, I'm Jean-François DI RIENZO, owner of MixMyFrench. If you want to offer your music a real step up, you've come to the right place. I believe a good song can't make it without having its own sonic signature, that's why I take pride in starting every project from scratch, no presets, just top notch gear in an acoustically accurate room.

Hobby music composer - Luis Humanoide

Storytelling with music

TERMINUS HORNS - HORN SECTION - Terminus Horns
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Terminus Horns are a top-tier, multi-genre horn section with 10+ years of experience playing together. With countless 5-star reviews and repeat clients, we deliver professional arrangements and high-quality recordings. From bold brass stabs to smooth harmonies, we bring your music to life with expert musicianship and pro studio gear. Want horns?

producer & musician - Phil Taylor
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I've always been passionate about helping artists to get to the place they want to be. I look forward to helping you in any way I can, either as a whole project or as any part of it...let's talk! PS we're only allowed to post one track example here, so please just ask for more.

 - Kevin F.
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Multi-instrumentalist, songwriter, singer and storyteller at The Muster Point Project.

General producer mix n' master - Rapha Black
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I'm a creative and eclectic guitarist (electric and acoustic guitar), in addition a music producer (EDM, pop, Rock) and Mix and Master engineer.

Mix and Mastering Engineer - Josiah Mazzaschi

I've been working in the Music Industry for over 30 years and have worked with artists such as The Smashing Pumpkins, The Jesus and Mary Chain, Built to Spill, Idles, Deap Vally, Nothing, The Swirlies, Sunflower Bean, Actors, Soft Kill, Andy Rourke (The Smiths) and hundreds more. Whether I'm Engineering, Mixing or Mastering I put in 110%

Trap and Latin urban producer - balmainDon

Producer and recording engineer for Lowkeh, HECTORYP444, Fernando Flow and many more.

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