Life$un: Billboard-charted songwriter & sonic architect blending soul, story, and swagger into genre-defying hits for all audiences.
From penning platinum hooks to crafting cinematic soundscapes, Life$un turns raw emotion into unforgettable melodies. Known for lyrical depth and vocal versatility, Life$un has collaborated with Grammy-winning producers and indie trailblazers alike—bringing a signature fusion of R&B, alt-pop, and hip-hop that resonates across cultures. Whether you’re chasing a radio-ready anthem or a deeply personal ballad, Life$un delivers artistry with edge.
Let’s make something timeless together.
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Credits
Languages
- English
Interview with Life$un
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I mixed and co-produced many anthems that went viral during Toronto Carnival. It captured the spirit of the season and got major radio play. I handled everything from vocal tuning to final mastering, and seeing it light up the crowd was unforgettable.
Q: What are you working on at the moment?
A: I’m mixing a reggae & dancehall album, hip hop beat & vocal making. Calypso tracks for the Trinidad & Tobago Road March competition and producing a Dub/Reggae dancehall single for a local artists. All are high-energy and culturally rich.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yes— myself. They’re great for mastering and have a deep understanding of all genres and mechanics with melodies.
Q: Analog or digital and why?
A: I use both. Digital for speed and flexibility, analog for warmth and character. The magic is in knowing when to use each.
Q: What's your 'promise' to your clients?
A: I’ll treat your music like it’s my own. I’ll be honest, responsive, and committed to making your track sound the best it possibly can.
Q: What do you like most about your job?
A: Helping artists hear their vision come to life. That moment when they say, “This is exactly what I imagined”—that’s everything.
Q: What questions do customers most commonly ask you? What's your answer?
A: Q: “Can you make my vocals sound professional?” A: Absolutely—if the recording is clean, I can enhance it with EQ, compression, and effects. If not, I’ll guide you on how to re-record for the best results.
Q: What's the biggest misconception about what you do?
A: That mixing is just about volume levels. It’s actually about emotion, space, and storytelling. A good mix makes you feel something—it’s not just technical or logical.
Q: What questions do you ask prospective clients?
A: What’s the story behind your song? • Who are your musical influences? • What’s your timeline and budget? • Do you have reference tracks for the sound you’re aiming for?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Look for someone who listens first. Technical skills matter, but understanding your vision is what makes a project successful. Plus also ask how they approach collaboration.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook Pro with Logic Pro • Universal Audio Apollo Twin • Shure SM7B mic • Beyerdynamic DT 770 headphones • Maschine MK3 for beat-making
Q: What was your career path? How long have you been doing this?
A: I started as a DJ in Jamaica, then moved into vocalizing, beat-making and mixing for local artists. Over the past 15 years, I’ve built a reputation for blending melodic vibes with modern polish. Every project has been a step forward in mastering my craft.
Q: How would you describe your style?
A: Rhythmic, soulful, and culturally rooted. I aim for mixes that move bodies and stir hearts—whether it’s a Pop, Reggae, Jazz, Dancehall, Hip Hop, Hou$e or Carnival anthem or a late-night R&B jam.
Q: Which artist would you like to work with and why?
A: I’d love to work with $ade, Damian Marley, Vybz Kartel, Gwen $tefani, Popcaan, Flowdan, Central Cee, many more Their energy, innovation, and commitment to pushing great music and great times forward are unmatched. Collaborating with them would be both a victory and a triumph.
Q: Can you share one music production tip?
A: Don’t over-process vocals. A clean vocal with subtle compression and EQ often beats one buried under effects. Let the emotion come through naturally, then enhance it—not mask it.
Q: What type of music do you usually work on?
A: I work primarily on All ideas, Caribbean genres (Calypso, Soca, Dancehall, Reggae), Hip-Hop, R&B, and Afrobeat. I love blending traditional rhythms with modern production techniques to create something fresh yet familiar.
Q: What's your strongest skill?
A: Translating emotion into sound. Whether it’s joy, rebellion, heartbreak, or celebration—I know how to shape the sonic landscape to match the feeling. That’s what keeps listeners hooked.
Q: What do you bring to a song?
A: I bring clarity, groove, and emotional impact. I make sure every element—from vocals to percussion—has its space and purpose. My goal is to make the song feel alive, like it’s telling a story even before the lyrics kick in.
Q: What's your typical work process?
A: I start by listening deeply to the artist’s vision—whether it’s a voice memo or a full demo. Then I build or refine the arrangement, clean up the mix, and add subtle production touches that elevate the emotion. I always send drafts for feedback and make sure the final product feels like a true collaboration.
Q: Tell us about your studio setup.
A: The studio is a hybrid setup with a focus on flexibility and warmth. I use a Universal Audio Apollo interface, Yamaha HS8 monitors, and a selection of analog preamps for color. My DAW of choice is Logic Pro, paired with plugins from Waves, FabFilter, and Soundtoys. I also keep a few vintage drum machines and synths around for texture.
Q: What other musicians or music production professionals inspire you?
A: I’m inspired by too many timeless artist which are also your favourites too like $ade, $izzla, Damian Marley, Bob Marley, $uper Cat, Daft Punk, Linkin’ Park, 2Pac, Motley Crue, Beastie Boys, Bounty Killer, Vybz Kartel, Machel Montano, Quincy Jones for their versatility, atttention commanding presence , Stephen Marley for his depth in Reggae production, and Phareel, Timaberland, Metro Boomin for their rhythmic innovations. Locally, I admire producers who bring grassroots energy to global stages—those who elevate traditional sounds without diluting their soul.
Q: Describe the most common type of work you do for your clients.
A: I specialize in mixing and production for Caribbean genres like Calypso, Soca, Dancehall, and Reggae, as well as Hip-Hop and R&B. My clients often come to me with raw vocal and beat ideas, and I help shape them into polished, radio-ready tracks that retain cultural authenticity and sonic punch.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I mixed and co-produced many anthems that went viral during Toronto Carnival. It captured the spirit of the season and got major radio play. I handled everything from vocal tuning to final mastering, and seeing it light up the crowd was unforgettable.
Q: What are you working on at the moment?
A: I’m mixing a reggae & dancehall album, hip hop beat & vocal making. Calypso tracks for the Trinidad & Tobago Road March competition and producing a Dub/Reggae dancehall single for a local artists. All are high-energy and culturally rich.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yes— myself. They’re great for mastering and have a deep understanding of all genres and mechanics with melodies.
Q: Analog or digital and why?
A: I use both. Digital for speed and flexibility, analog for warmth and character. The magic is in knowing when to use each.
Q: What's your 'promise' to your clients?
A: I’ll treat your music like it’s my own. I’ll be honest, responsive, and committed to making your track sound the best it possibly can.
Q: What do you like most about your job?
A: Helping artists hear their vision come to life. That moment when they say, “This is exactly what I imagined”—that’s everything.
Q: What questions do customers most commonly ask you? What's your answer?
A: Q: “Can you make my vocals sound professional?” A: Absolutely—if the recording is clean, I can enhance it with EQ, compression, and effects. If not, I’ll guide you on how to re-record for the best results.
Q: What's the biggest misconception about what you do?
A: That mixing is just about volume levels. It’s actually about emotion, space, and storytelling. A good mix makes you feel something—it’s not just technical or logical.
Q: What questions do you ask prospective clients?
A: What’s the story behind your song? • Who are your musical influences? • What’s your timeline and budget? • Do you have reference tracks for the sound you’re aiming for?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Look for someone who listens first. Technical skills matter, but understanding your vision is what makes a project successful. Plus also ask how they approach collaboration.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook Pro with Logic Pro • Universal Audio Apollo Twin • Shure SM7B mic • Beyerdynamic DT 770 headphones • Maschine MK3 for beat-making
Q: What was your career path? How long have you been doing this?
A: I started as a DJ in Jamaica, then moved into vocalizing, beat-making and mixing for local artists. Over the past 15 years, I’ve built a reputation for blending melodic vibes with modern polish. Every project has been a step forward in mastering my craft.
Q: How would you describe your style?
A: Rhythmic, soulful, and culturally rooted. I aim for mixes that move bodies and stir hearts—whether it’s a Pop, Reggae, Jazz, Dancehall, Hip Hop, Hou$e or Carnival anthem or a late-night R&B jam.
Q: Which artist would you like to work with and why?
A: I’d love to work with $ade, Damian Marley, Vybz Kartel, Gwen $tefani, Popcaan, Flowdan, Central Cee, many more Their energy, innovation, and commitment to pushing great music and great times forward are unmatched. Collaborating with them would be both a victory and a triumph.
Q: Can you share one music production tip?
A: Don’t over-process vocals. A clean vocal with subtle compression and EQ often beats one buried under effects. Let the emotion come through naturally, then enhance it—not mask it.
Q: What type of music do you usually work on?
A: I work primarily on All ideas, Caribbean genres (Calypso, Soca, Dancehall, Reggae), Hip-Hop, R&B, and Afrobeat. I love blending traditional rhythms with modern production techniques to create something fresh yet familiar.
Q: What's your strongest skill?
A: Translating emotion into sound. Whether it’s joy, rebellion, heartbreak, or celebration—I know how to shape the sonic landscape to match the feeling. That’s what keeps listeners hooked.
Q: What do you bring to a song?
A: I bring clarity, groove, and emotional impact. I make sure every element—from vocals to percussion—has its space and purpose. My goal is to make the song feel alive, like it’s telling a story even before the lyrics kick in.
Q: What's your typical work process?
A: I start by listening deeply to the artist’s vision—whether it’s a voice memo or a full demo. Then I build or refine the arrangement, clean up the mix, and add subtle production touches that elevate the emotion. I always send drafts for feedback and make sure the final product feels like a true collaboration.
Q: Tell us about your studio setup.
A: The studio is a hybrid setup with a focus on flexibility and warmth. I use a Universal Audio Apollo interface, Yamaha HS8 monitors, and a selection of analog preamps for color. My DAW of choice is Logic Pro, paired with plugins from Waves, FabFilter, and Soundtoys. I also keep a few vintage drum machines and synths around for texture.
Q: What other musicians or music production professionals inspire you?
A: I’m inspired by too many timeless artist which are also your favourites too like $ade, $izzla, Damian Marley, Bob Marley, $uper Cat, Daft Punk, Linkin’ Park, 2Pac, Motley Crue, Beastie Boys, Bounty Killer, Vybz Kartel, Machel Montano, Quincy Jones for their versatility, atttention commanding presence , Stephen Marley for his depth in Reggae production, and Phareel, Timaberland, Metro Boomin for their rhythmic innovations. Locally, I admire producers who bring grassroots energy to global stages—those who elevate traditional sounds without diluting their soul.
Q: Describe the most common type of work you do for your clients.
A: I specialize in mixing and production for Caribbean genres like Calypso, Soca, Dancehall, and Reggae, as well as Hip-Hop and R&B. My clients often come to me with raw vocal and beat ideas, and I help shape them into polished, radio-ready tracks that retain cultural authenticity and sonic punch.
