Jason Richmond is a Grammy nominated mixer, engineer and producer who has worked with such artists as The Avett Brothers, Joe Henry, Rising Appalachia, Nnenna Freelon, Margaret Glaspy, and Jake Fussell. Jason is grateful to work with talented musicians in beautiful spaces and be a part of the creative alchemy that brings forth a record.
I started down this path first by loving music, then playing it, then learning to make records. Going from North Carolina to the Bay Area and back again, with a few stops in between and more degrees than I needed, I find myself now with a sweet little mix studio in the heart of North Carolina, Grammy nominated, and proud to be working with the likes of Joe Henry, The Avett Brothers, Nnenna Freelon, Margaret Glaspy, Jake Fussell, The Steep Canyon Rangers, and Clem Snide.
I work mostly as a mix engineer, but also produce, track and master; in whatever capacity I’m working on an album, my goal is to combine intuitive, creative sense with technical mastery to help the artist realize their best vision.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
AllMusic verified credits for Jason Richmond- Aoife O'Donovan
- Jake Xerxes Fussell
- Jake Xerxes Fussell
- Ronald Carbone
- Elmira Darvarova
- Samuel Magill
- Lucian Rinando
- Ronald Carbone
- Elmira Darvarova
- Samuel Magill
- Lucian Rinando
- Steven Kimbrough
- Dalton Baldwin
- Nnenna Freelon
- Nnenna Freelon
- Nnenna Freelon
- Clem Snide
- Clem Snide
- Dom Flemons
- Dom Flemons
- Dom Flemons
- Dom Flemons
- D.J. Sparr
- John Legend
- Marco Beltrami
- Geoff Barrow
- Ben Salisbury
- Rolfe Kent
- Steep Canyon Rangers
- Steep Canyon Rangers
- Rupert Gregson-Williams
- Brian Byrne
- Alexandre Desplat
- Brian Tyler
- Robert Lydecker
- Bear McCreary
- Alan Silvestri
- Jóhann Jóhannsson
- Dennis Jesse
- Juan Álamo
- Matthew Margeson
- Michael Giacchino
- Ciompi Quartet
- Members of the Philadelphia Orchestra
- Members of the Curtis Institue of Music
- Members of the Curtis Institute of Music
- Ciompi Quartet
- Members of the Philadelphia Orchestra
- Members of the Curtis Institue of Music
- Members of the Curtis Institute of Music
- Joe Kraemer
- Karen Galvin
- Donna Shin
- Hexnut
- New Music Raleigh
- Kate McGarry
- Keith Ganz
- Kate McGarry
- Keith Ganz
- Clint Mansell
- Dom Flemons
- Steve Jablonsky
- Henry Jackman
- Atli Örvarsson
- Bombadil
- Mark Orton
- Steve Jablonsky
- Michael Giacchino
- Marco Beltrami
- Nnenna Freelon
- John Brown
- John Brown Big Band
- Kate McGarry
- Wayne Leechford
- Wayne Leechford
- Dustin O'Halloran
- Dustin O'Halloran
- Michael Giacchino
- John Debney
- Hans Zimmer
- Michael Giacchino
- John Williams
- Theodore Shapiro
- James Newton Howard
- Carter Burwell
- Fiancé
- Christopher Lennertz
- Rich Willey
- Rich Willey
- Stephen Anderson
- Stephen Anderson's 360 ̊ Jazz Initiative
- Stephen Anderson
- Stephen Anderson's 360 ̊ Jazz Initiative
- Dominican Jazz Project
- Mamadou Diabate
- Mamadou Diabate
- Mamadou Diabate
- Mamadou Diabate
- The Avett Brothers
- David Childers
- Ironing Board Sam
- Joe Kraemer
- Juan Álamo
- Nelson Delgado
- UNC Percussion Ensemble
- Kobie Watkins
- Kobie Watkins
- Shana Tucker
- Shana Tucker
- Bruce Piephoff
- Bruce Piephoff
- Bruce Piephoff
- Ironing Board Sam
- Kate McGarry
- Keith Ganz
- Gary Versace
- The Avett Brothers
- Steve Hobbs
- Steve Hobbs Octet
72 Reviews - 15 Repeat Clients
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It was a pleasure working with Jason. His professionalism and communication were excellent. I highly recommend him. Thanks again.
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Jason was awesome to work with! He was incredibly responsive to my nitpicks and tweaks, and he intuitively understood the direction and sound I was going for. Would definitely work with him again.
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Jason is absolutely the best mixing/mastering engineer! He'll take care of your precious tracks and make sure they shine as brightly as they possibly can. In addition to sensitive, creative ears and a high level of technical skill, he has very straightforward communication and is extremely efficient/timely. I highly recommend him.
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I wouldn't trust my music with anyone other than Jason. Through his expert mixes, he brings out the beauty of my original songs. He has a way of knowing just what my voice and all the instruments need and where they should go. Never overdone, always natural (just how I like them), beautiful, and done efficiently in a timely manner. I wholeheartedly recommend him.
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Not only is Jason awesome at what he does, he's great to work with to boot. He was able to translate my incoherent ramblings into a great mix and was super cool about anything I suggested. Really great experience.
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Over the past few years, I've had Jason do all my mixing and mastering. I can always count on him to deliver a beautiful result. I'm super picky about the details and he always works with me to get everything just right. Don't hesitate to hire him for your next music project.
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Great profesionalism, patient and delivering a stellar sound. Recommended!
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I'm so pleased to have chosen Jason to mix and master my latest song. There were some pretty serious issues with the violin recording and the harmony vocals I sent to him but he was able to smooth all of those over beautifully. He is a dream to work with--very efficient, an excellent problem solver, and patient through changes large and small. Most importantly, he grasped my overall creative direction completely, which fully enabled my song to come to life. I couldn't recommend him more highly.
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Jason was as kind as he is talented. Pleasure to work with, and really good at what he does.
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Jason has worked on some of my favorite artist's records so I was happy for him to put his ears on my song. Super communicative and underpromised/over-delivered on the timeline! I'll be sending more over as they come! Thank you Jason!
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Jason is very collaborative and will help you bring your music to fruition just the way you want the world to hear it.
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Jason did a great job with the mix, I’m very happy. It was also a pleasure to work with him as he dealt with all my requests professionally and patiently. Highly recommended
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Jason did another great job mixing a jazz/funk song for me. He locks into the feel of a song and comes up with a great mix. The horns sound great, and the overall sound is top notch with quick turnaround!
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Jason is my go-to engineer to master all of my songs.
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Jason is a dream to work with and he delivers the highest quality/most beautiful mixes/masters of my tracks. He easily and immediately grasps my creative briefs for mixing and quickly/readily delivers any edits I have. His extremely high level of skill, intuitive feel for the music, and professionalism really help make my tracks shine. I couldn't recommend him more highly.
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Jason is a masterful mixing engineer who's an absolute pleasure to work with. He has great communication and works quickly. He not only easily interprets my artistic vision, his mixing elevates my music. I could not recommend him more highly.
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Jason was great to work with. He has a great ear and sensibility for working with what he’s given and turning it into something incredible. He’s very patient, a good communicator and finishes on time. I can’t recommend him enough.
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Fantastic mastering job from Jason, after taking the mixing duties - really gave my songs that final 10% boost.
Cannot recommend highly enough! - check_circleVerified
Great communication, great mixing skills, a lot of patience, a total pro and pleasure to work with!
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Jason is absolutely the best! His mixes / mastering are too shelf, and he is an absolute pleasure to work with. Can’t wait to start another project, and work with him again. This needs album is by far the best sounding of our collection. Tremendous work!!
Thank you so much Jason!!
Interview with Jason Richmond
Q: What type of music do you usually work on?
A: I work on all types of music, but I generally get called for Americana, jazz, and world music projects.
Q: How would you describe your style?
A: Although I have a strong technical background in recording, I'm a musician first and I bring a musical, artistic, and creative approach to what I work on.
Q: What's your strongest skill?
A: The ability to listen closely to a song and find it's direction.
Q: What do you bring to a song?
A: I hope that I bring a fresh approach and unique perspective to any given song, but the main desire is that I find the strength of the artist and the song itself and enhance that in a way that not on captures what the artist is trying to create but surpasses it.
Q: Tell us about your studio setup.
A: I work out of many studios, but do most of my mixing in my home studio. I have a hybrid system running Pro Tools HD and sum through a summing mixer with Apogee Symphony converters. I utilize a variety of outboard gear including Chandler TG2 preamps, Chandler LTD-2 master compressor, Dramastic Obsidian Compressor, Crane Song Ibis EQ, and a variety of other outboard gear. I generally use plugins from Massey, Sound Toys, Waves, Brainworx, and Avid. I monitor through a Crane Song Avocet and Focal Twin monitors.
Q: What other musicians or music production professionals inspire you?
A: I'm inspired by all types of music when it is built on great musicianship, brilliant songs, and interesting production. Some people I'm inspired by include; Tchad Blake, Bill Frisell, Bob Dylan, Miles Davis, D'Angelo, Paul Simon, Jacquire King, Quincy Jones, and Brad Mehldau. Just to name a few.
Q: Describe the most common type of work you do for your clients.
A: Primarily more and more of my work is mixing, although I still do quite a bit of tracking and production work.
I was the mixer and engineer in this production
- Love Farewell by Jake Xerxes Fussell
- The Bones by Rising Appalachia
- Old Gods by Emily Scott Robinson
- Song That I Know by Joe Henry
- Mixing EngineerContact for pricing
- Dolby Atmos & Immersive AudioContact for pricing
- Mastering EngineerContact for pricing
- ProducerContact for pricing
- Recording StudioContact for pricing
Contact for details
- Bob Dylan
- Gillian Welch
- Miles Davis
- Terry CEQ
- D.W. Fearn VT-7
- Chandler LTD-2 Mastering Pair
- ProAc Studio 100
- Amphion monitors
- API 5500
- Crane Song Ibis
- UTA MPDI-4
- Apogee Symphony
- Grace m908
- Retro 2A3 Eq
- Chandler TG2
- Dramastic Audio Obsidian
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