I am a dynamic and flexible singer with range and a warm tone. Multi-genre award winning singer/songwriter based in New York City. I have sung with rock, pop, and world music bands in at least 8 languages. I am known for my tone and powerful vocals, and have always been a word of mouth hire in my city. I'm excited to connect with artists all over t
Looking for a female singer with range AND a great warm tone? New voice to Airgigs. I am a dynamic and flexible singer with multiple singer/songwriter awards. Easy to work with. Rock and pop are my main gigs though have also done hip hop tracks, modern musical theatre, and multi-lingual projects in Spanish, Hebrew, Greek, and more. I look forward to hearing about your project and helping you take it to the next level.
I use Logic, Apogee Duet, SM7B microphone.
I am NYC based. I record at home, or if you are local I can come to studio.
Lead Vocals, harmonies, backgrounds etc.
"Dorit! All I can say is WOW, I just started imputing your tracks and I have chills it sounds so good. You absolutely nailed it. We need to do more collaborations for sure. You really helped give this song the meaning and feel I was trying to capture, I’m blown away. " Kyle K.
"Dorit, The file sounded perfect – you really nailed it! I’ll keep you posted as soon as I hear back from the publisher. Thanks again for all your help!" Julie T.
“LOVE LOVE LOVE IT! Great job. You are a brilliant singer, who can sing ANY current genre.” Dana C.
Send me a note through the contact button above.
2 ReviewsEndorse Dorit
Dorit is my vocalist of choice in New York City. She has done many demos and collaborations in my studio. I even brought her in to coach another singer in session. She has incredible tone and pitch and is a joy to work with. I highly recommend her for rock, pop, and dance tracks.
Dorit is a consumate professional who brings talent, emotion and creativity to everything she does. I you have the opportunity to have her on your tracks, HIRE her !
Interview with Dorit
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I recently worked on a dance track for a film that is in production. The idea that it will end up in a film is exciting. I also performed live with a Greek metal band in rock musical theater performance. That was really really fun!
Q: What are you working on at the moment?
A: Taking classes to improve, working on my own EP.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Les July. He's an incredible musician and producer. Kris Bradley is incredible in many ways. I take her courses.
Q: Analog or digital and why?
A: Analog. I love the warm sound, and hands on the machines. However I record digitally. Technology has come a long way, and we can make amazing things and get a warm sound.
Q: What's your 'promise' to your clients?
A: To give you an excellent pleasing vocal.
Q: What do you like most about your job?
A: When my clients are happy.
Q: What questions do customers most commonly ask you? What's your answer?
A: How long do you need? I like 2-3 days, and 7 at the most to take my time.
Q: What's the biggest misconception about what you do?
A: Depends on what part of what I do? I do lots of things. Im pretty straight forward. My performances are very very honest. That's what makes them powerful. I don't think there are misconceptions when it comes to singing. Everyone can learn to sing, but tone is natural, and we all sound different. And yes even a natural talent needs to practice and learn new skills.
Q: What questions do you ask prospective clients?
A: How would you like the tracks recorded? How many tracks do you want of each element. How many days. What kind of vibe are you looking for. Do you need the vocals tuned by me? etc.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Give me as much info as you can. A reference track is great. Im easy to work with, and I like to work with kind and talented folks.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: guitar, voice recorder, a rhythm maker, computer, lots of fresh water....thats not gear...but a singer needs it.
Q: What was your career path? How long have you been doing this?
A: Performing artist since childhood. Professional Bellydancer and singer in the Middle Eastern Bands. Started playing Middle Eastern Percussion, then starting writing and performing singer/songwriter and pop rock music on my own. Performed in a bunch of bands. People noticed and started asking me to come into the studio, and it continues. I never really advertised. It was all work of mouth or people seeing me in public.
Q: How would you describe your style?
Q: Which artist would you like to work with and why?
A: There are so many incredible artists that are not known to the general public. So many. Let us all elevate each other.
Q: Can you share one music production tip?
A: Learn to do as much as possible on your own, and keep your instrument in shape.
Q: What type of music do you usually work on?
A: Rock, pop, dance, world.
Q: What's your strongest skill?
A: Dynamic range, my natural tone, ability to add emotion to the lyrics. And I'm easy to work with.
Q: What do you bring to a song?
A: TONE TONE TONE!!!!!! Tone, flexibility, emotion.
Q: What's your typical work process?
A: Listen to the song for hours, get a vibe, try a few takes instinctively, go with the best, and start the project with the best feeling possible.
Q: Tell us about your studio setup.
A: Apogee Duet, Logic, Macbook Pro, SM7B mic.
Q: What other musicians or music production professionals inspire you?
A: Rhythm inspires me. That's it! Musicians, singers, the sound of a rolling suitcase on the street. Rhythm. As far as singers, Robert Plant, Chris Corner, Lizzy Hale, Mariah, Jessie J. Middle Eastern and North African Music.
Q: Describe the most common type of work you do for your clients.
A: I love recording pop/rock tracks for clients. In the last year I've done a variety of tracks including, disco for a film, collection of demos for a new musical theatre production in NYC, and a cover of a 1950's hit song. These were all work of mouth gigs.