Mixing Mastering & Copywriting

Q: What's the biggest misconception about what you do?

A: One common misconception is that audio production is solely about technical proficiency and equipment. While these are undoubtedly important aspects, successful audio production also requires a deep understanding of musicality, storytelling, and the ability to connect with the audience on an emotional level.

Q: What advice do you have for a customer looking to hire a provider like you?

A: I would advise customers to prioritize finding a provider who not only possesses the necessary technical skills but also demonstrates a genuine passion for their craft and a dedication to understanding and realizing the client's vision. Additionally, seeking out testimonials and examples of past work can provide valuable insight into the provider's capabilities and suitability for the project.

Q: What's your strongest skill?

A: My strongest skill lies in my ability to forge meaningful connections with my clients and translate their ideas into compelling audio experiences. Whether it's capturing the essence of a musical composition or enhancing the storytelling of a podcast, I excel in bringing the client's vision to life.

Q: What do you bring to a song?

A: I bring a unique blend of technical expertise and creative insight to every song I work on. My background as a scientist and musician allows me to approach each project with a meticulous attention to detail while infusing it with artistic innovation and emotion. I always stay true to the original vision of the song and try to elevate it to a new listening experience that tells a story to the audience.

Q: What's your typical work process?

A: The first thing I like to do is to have conversation with my clients to learn what they want to achieve with their project. See if they have any references or demos they want to share, bring any recommendations or thoughts to the table and talk about deadlines and budget. My typical work process begins with a detailed consultation with the client to understand their vision and project requirements. From there, I provide a customized proposal outlining the scope of work and timelines. Throughout the project, I maintain open communication with the client, providing updates and incorporating feedback to ensure the final product exceeds expectations.

Q: Describe the most common type of work you do for your clients.

A: I specialize in providing audio production services tailored to the needs of my clients. This includes mixing, mastering, composition, sound engineering, and content creation for various mediums such as music, podcasts, and stage shows.

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I recorded and produced the stories and songs podcast A Good Service On all Other Lines. It is a combination of storytelling with folk music where I was involved in the recording of both music and narration as well as sound designing the episode for a more immersive experience.

Q: What are you working on at the moment?

A: I'm currently producing the next EP for the Spanish band SudhaChandran, a reggae-rock band with committed and critical lyrics that I had the luck to play and work in the past.

Q: Analog or digital and why?

A: Both if I can! Hybrid is just more fun! Otherwise digital just makes it easier to work anywhere achieving a professional sound taking advantage of modern technology.

Q: What's your 'promise' to your clients?

A: I work closely with the artist and get involved in their projects. That way I can understand what they want to achieve, help them to get there easier and share their passion during the whole process.

Q: What do you like most about your job?

A: Working with people and helping them to create something to connect with others.

Q: What questions do you ask prospective clients?

A: What's their vision? what do they want to achieve? what's their budget? do you have a reference?

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: I think I would take an H4n Pro, a Taylor guitar, an SM57, solar powered batteries and a cajon. Ready to record anywhere!

Q: What was your career path? How long have you been doing this?

A: I grew up surrounded by the music of The Rolling Stones, The Beatles, Cream or Nina Simone. The themes of films like Star Wars or Back to the Future were my everyday soundtrack. I could hear them in my head all the time! I started playing the drums in bands when I was in school and I continued throughout University. Ever since I recorded in a studio for the first time I got myself captivated by this process. My passion for music drove me to study Music Production at Abbey Road Institute where I also worked as Senior Technician and lecturer, helping me to take my music career one step further.

Q: How would you describe your style?

A: Being a musician myself and having experience in the studio from the other side of the glass makes me aware of the challenges that the artists encounter when they are recording. That’s why I focus on creating the right environment, so they can concentrate on the creative part while I capture that energy whenever it happens.

Q: Can you share one music production tip?

A: Always ride the fader of your vocal track to help them sit right on your mix.

Q: What type of music do you usually work on?

A: I have experience working across a diverse range of musical genres, including but not limited to pop, rock, electronic, jazz, and classical. My versatility allows me to adapt to the unique demands of each genre and deliver exceptional results.

Q: Tell us about your studio setup.

A: My studio's core is an UAD Apollo FireWire interface with a Thunderbolt 3 option card and a M1 Mac Mini. I have a wide collection of dynamic, condenser and ribbon microphones including, modelling mics and custom made U87 clone that allows me to get a wide range of tones on my recordings. I have everything that I need to record and produce music including drums, guitars, bass, percussion and keyboards on top of a wide variety of virtual instruments and sound libraries to add textures and soundscapes..

Q: What other musicians or music production professionals inspire you?

A: Some of my all time references are Butch Vig, Andrew Scheps, Hans Zimmer, Mike Portnoy or Steven Wilson.