
Let's get together and make a record.
Starting in a home-studio in 2009, I've grown my career to a professional level in Portland, Oregon and have worked with artists ranging from local bands making their first demos to national and internationally touring bands with albums that have hit the Billboard Top 100 charts. I enjoy working across various genres and perform in metal and country bands.
Send me a note through the contact button above.
Languages
- English
2 Reviews
Endorse Jesco Payne- check_circleVerified (Client)
Another breeze of a job working with Jesco!
He's quite the songster and his songs are super fun to play on.
Any time revisions were necessary, he made sure to give very specific details so the next take was the right take! - check_circleVerified (Client)
Jesco is a breeze to work with!
Super straightforward and detail-oriented when it comes to specifics.
You won't be disappointed taking on a project with them!
Interview with Jesco Payne
Q: Analog or digital and why?
A: Though I primarily work in-the-box, I have a deep love and respect for the analog world and try to bring as much of that to my mixes as possible.
Q: What's your 'promise' to your clients?
A: My promise is to represent your truest sound to the best of my abilities. I love to contribute to the production process, but at the end of the day, the client makes the final decisions.
Q: What do you like most about your job?
A: I love the challenge of making a record sound cohesive and glueing the whole project together.
Q: What questions do you ask prospective clients?
A: What are your favorite records that you draw influence from for your sound?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Too much time dwelling on certain details will end up hurting the mix / your record more than it will help. It's important to listen from a consumers perspective instead of the musicians.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Multi-pattern large diaphragm condenser, a pre-amp and a compressor. Anything else is a distraction.
Q: Tell us about your studio setup.
A: I work out of Falcon Recording, which has been around since 1985. It has an impressive catalog of outboard gear including 2 Distressors, 4 1176's of varying manufacturers, an LA2A, UA Converters, API & Neve Pre-Amps and ATC SCM25a Pro Monitors.
Q: What other musicians or music production professionals inspire you?
A: Kurt Ballou, Steve Albini, Brad Boatright, Justin Longerbeam, Jason Isbell, Tyler Childers
Q: Describe the most common type of work you do for your clients.
A: Recording & Mixing
- Mixing EngineerAverage price - $75 per song
- Vocal compingAverage price - $40 per track
- Live SoundAverage price - $150 per concert
- Podcast Editing & MasteringAverage price - $100 per podcast
- Post MixingAverage price - $50 per minute
- Post EditingAverage price - $50 per track
50% deposit due up front. Maximum of 3-revisions per song.
- Amigo the Devil
- The Bridge City Sinners
- The Devil Makes Three
- ATC SCM25a Pro
- LA2A
- 1176 Blue Stripe