High-end Production & Mixing for Orchestral, Jazz, Electronic, Soundtrack, World & Ambient music.
I'm Max, Berlin-based Music Producer, Composer and Mixing Engineer.
I've created music for many Brands, including Mercedes, Hugo Boss, Red Bull and The New York Times.
I can comfortably produce music in many genres with strengths in Electronic, Orchestral, World, Pop Music, Soundtrack and in Jazz-influenced styles.
Services:
Production & Mixing in the following genres:
- Electronic (from Techno to Downtempo)
- Ambient
- Pop
- Soundtrack
- Jazz
- Orchestral
- World
Composing & Sound Design
- Sound Design for Media
- Music for Advertising
- Music for Film and TV
- Background Music for Shows
- Music for conferences or fairs
- Background Music Tracks
- Music for Videos
- Music for Theatre
- Music & Sound Design for Video Games
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
3 Reviews
Endorse Max M. Svendsen- check_circleVerified (Client)
Max was so great to work with! He's a great songwriter and was very clear on what he wanted. I can't wait to work with him again in the near future!
- check_circleVerified
Max produced, mixed, and mastered a modern classical track I had composed. He is a professional with great communication! He cares about you and your project and does his best to meet all your technical needs. He has some good ideas about creating beautiful sounds in your mix. I strongly recommend him!
- check_circleVerified (Client)
Max was so great to work with. Hope to work together again soon!
Interview with Max M. Svendsen
Q: What's your 'promise' to your clients?
A: To craft a tailor-made sound, perfectly fitting their project, which will highlight and support their message and personality.
Q: Can you share one music production tip?
A: Don´t wait on inspiration, that’s a Luxury that in 90% of the cases you can´t afford.
Q: What other musicians or music production professionals inspire you?
A: Anouar Brahem, Jeff Russo, Max Richter, Mulatu Astatke, Valentin Stip, Kiasmos, Lambert, Olafur Arnalds, Massive Attack, Boozoo Bajou.
Q: Describe the most common type of work you do for your clients.
A: Composition and Sound Design for Advertisments, Promo Videos, Shorts Films.
Q: Analog or digital and why?
A: Both in theory, Digital in practice because most of the times you don´t have the time for analog. You want and need immediate recall of all the settings everytime you open a project.
Q: What are you working on at the moment?
A: Music and Sound Design for an Online Shop Ad
Q: What do you like most about your job?
A: The chance to be in contact the whole day with what matter the most to me: Music
Q: What questions do customers most commonly ask you? What's your answer?
A: "Cost?"
Q: What's the biggest misconception about what you do?
A: There are a lot. One i come across very often though is the difficulty to imagine the workload behind a full music production, most people think it´s done in half a day. Which you often have to do, due to deadlines.
Q: What questions do you ask prospective clients?
A: If they have a clear vision on what the music they require should express/underline/highlight.
Q: What do you bring to a song?
A: My Music cross-genre knowedge, almost 2 decades of study and practice, and a lot of attention and care for the project in question.
I was the Composer, Producer & Mixing Engineer in this production
- Film ComposerAverage price - $350 per minute
- Full instrumental productionContact for pricing
- ProducerContact for pricing
- Ghost ProducerAverage price - $1000 per song
- Sound DesignContact for pricing
- Composer OrchestralContact for pricing
- Mixing EngineerAverage price - $300 per song
- Massive Attack
- Max Richter
- Ólafur Arnalds
- Aston Origin Microphone
- Guitars
- Arturia
- Spitifire
- Orchestral Tools
- Virharmonic
- Soniccouture
- Native Instruments
- Soundiron
- Impact Soundworks
- Fabfilter
- iZotope
- Waves
- Soundtoys