Composer & Orchestral Arranger

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: My "Neoklassik" album for Cello and Piano. I composed, mixed and played with extraordinary cellist, my music

Q: What are you working on at the moment?

A: Two films in Canada and Bulgaria - mixing an orchestral album for a German client - arrangement an album for a Mexican client.

Q: Analog or digital and why?

A: Analog when is necessary to "catch" a human performance. All the rest, could be digital.

Q: What's your 'promise' to your clients?

A: The best that I can!

Q: What do you like most about your job?

A: A lot of fun and meet great artists. Accident happens... but is part of the game.

Q: What questions do customers most commonly ask you? What's your answer?

A: Can you do this? Yes!

Q: What's the biggest misconception about what you do?

A: About the tracks reference that I ask the clients in helping the communication and check if we are on the same floor. Sometimes they sent me tracks that are completely different from the one that they're looking for!!! So bad!! 1

Q: What questions do you ask prospective clients?

A: What is their goal to achieve with the job to do.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Be extremely clear in the instruction and give my trust.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Acoustic piano, a recorder, music papers and a bunch of pencils and erasers.

Q: What was your career path? How long have you been doing this?

A: I started as concert pianist and slowly, I shifted my musical activity to the composition. I started at 5yo. it could be 35y... long time..

Q: How would you describe your style?

A: 50% classical, 20% minimalist. 10% contemporary, 20% electronic

Q: Can you share one music production tip?

A: When I open the studio, I play some extraordinary tracks for 15 minutes, to remember the goal to reach.... the best!

Q: What type of music do you usually work on?

A: Film music, pop arrangement. Many work as orchestrator. My personal music production.

Q: What's your strongest skill?

A: The capability to have a musical vision. When a melody come to me, I can imagine the final result, as played from top symphonic orchestra. The polyphonic game of the voices in my head and strong piano skills.

Q: What do you bring to a song?

A: A bit touch of magic and my Italian melodic instinct.

Q: What's your typical work process?

A: It depends on the starting point, from the project. I have different approaches to the creative workflow. Each path, bring to a different result so, the great challenge is to choose the right approach. And after many years, i have a strong feeling in how to proceed in the best way.

Q: Tell us about your studio setup.

A: A great monitors are essential and indispensable. So, I took the Kii Three that allow me an immense control on the sound stage and music timbre. A great digital piano P500 Yamaha that keep the real piano touch feeling, A49 Roland as master keyboard controller, the Console 1 mix and Console Fader Softube. Logic and Protools are my daily Daw.

Q: What other musicians or music production professionals inspire you?

A: As a professional music composer, I draw inspiration from a wide array of musicians and music production professionals whose work resonates deeply with me. These individuals not only showcase exceptional talent and creativity but also possess a unique ability to push the boundaries of musical expression. Here are a few who have significantly influenced my approach to composition: A good deal of classical music composer as Puccini, Prokofiev, Stravinsky, Holst, Rachmaninoff, Bach, Brahms, Mozart and modern like Morricone, Rota, Newman, Goldsmith, Williams, Silvestri, Horner. They are a constant source of inspiration for me.

Q: Describe the most common type of work you do for your clients.

A: As a professional composer, my work encompasses a diverse range of projects, but one of the most common types of work I undertake for my clients involves creating bespoke musical compositions tailored to their specific needs and preferences. Whether it's for film, television, advertising, video games, theater productions, or other multimedia ventures, my clients often seek original musical scores that enhance their creative vision and captivate their audience. This involves collaborating closely with directors, producers, and other stakeholders to understand the emotional tone, thematic elements, and pacing of the project. Once the creative direction is established, I embark on the process of composing music that not only complements the visuals but also elevates the overall storytelling experience. This may involve crafting memorable melodies, designing evocative soundscapes, or orchestrating dynamic arrangements to evoke the desired mood and atmosphere. Throughout the composition process, I prioritize communication and collaboration, regularly sharing drafts and seeking feedback to ensure that the music aligns perfectly with the client's vision. Whether it's crafting an uplifting anthem for a commercial, a haunting melody for a suspenseful scene, or a sweeping orchestral score for a cinematic masterpiece, I strive to exceed my clients' expectations and deliver music that resonates deeply with their audience. In addition to composing original music, I also offer services such as music production, arranging, and scoring to provide comprehensive support throughout the creative journey. My goal is not only to meet the needs of my clients but to exceed them, delivering high-quality musical compositions that leave a lasting impact and enhance the overall success of their projects.