Camilo Silva F Mastering

Human mastering you can trust

786 Reviews (740 Verified)
Camilo Silva F Mastering on SoundBetter

Analog & tape mastering, 2X Grammy Award-winning mastering specialist. World-class mastering skills and technology at a price you can afford!

I'm here to listen! And I'm a mastering specialist - Audio mastering is all I do and after a 20+yrs career as a professional audio engineer, I keep working hard every day to keep my skills at their peak. Just ask around :-)

Camilo realized that to get the best results; he needed to build and equip a mastering room with his specifications and top-notch design and technology. Being such a tinkerer, he's decided that he wanted to be unique and build something unique to offer to his clients: He's built many of his room's equipment under his own Camilo Silva F. Brand, including his D/A tube converters! Camilo's gear choices get enhanced by some critical pieces of state-of-the-art analog EQ, dynamics, and A/D/A conversion.

Camilo has 20+yrs experience, 10 of them at the legendary Estudios Audiovision, as resident Rec/Mix/Mastering engineer/studio tech. Camilo's been dedicated exclusively to Mastering since Q4/2013 in his facility.

Credits include: Aitana, Paula Arenas, Carlos Vives, Andres Cepeda, Maluma, Morat, Alkilados, Ventino, Shallow Side...Background checks are highly encouraged!

Some credits :

Grammy-winning verification here:

We're Apple Certified (MFiT) mastering room!

Click the 'Contact' above to get in touch. Looking forward to hearing from you.


AllMusic verified credits for Camilo Silva
  • Antonio José
  • Shallow Side
  • Carlos Vives
  • Clara Luna
  • Antonio José
  • Mougli
  • Antonio José
  • Frank Garcia y Su Son Samario
  • Clara Luna
  • Clara Luna
  • Jerau
  • Clara Luna
  • Filadelfia
  • Kyle Guffey
  • Rex Marte
  • Cesar Lopez
  • Clara Luna
  • Molitor
  • Clara Luna
  • Samuel Lizarralde
  • Mougli
  • Paola Rodriguez
  • Clara Luna
  • Angelo Milan
  • 3 Parts Dead
  • FatsO
  • Cimarron!
  • Fabulae Dramatis
  • Fabulae Dramatis
  • Fabulae Dramatis
  • Ana Guerra
  • Paola Rodriguez
  • Cimarron!
  • Pedrina
  • Samuel Lizarralde
  • Clara Luna
  • Ventino
  • Ventino
  • Pipe Cruz

786 Reviews - 153 Repeat Clients

Endorse Camilo Silva F Mastering
  1. Review by Lopez A.

    Camilo Is A Amazing Mastering He gives you everything you are looking for and if he cant he guides you to the right ppl that will help you out! Camilo is just not a mastering person he is a person of good heart and loves to makes someone career become a special place in the future :) Ppl dont understand that when famous music ppl get all the credit when ppl dont think about the ones on the inside that makes all the magic bc on the inside that where the special place is that what inside the heart

  2. Review by Lopez A.

    This was my first time working with Camilo and he is a nice guy and will differently be there for you and give you that time you need to meet your deadline he really helped me out and he is a really nice guy! I am looking fwd to working with him in the near future from here on out and as a bonus he helped me get to know a few of his assistants that was very nice to me and I enjoyed working along with them on my projects!

  3. Review by Ian M.
    by Ian M.

    Amazing support all through my first experience. Very clear communicator. Most importantly, GREAT MASTER

  4. Review by Arnaud G.

    Very good work and pretty fast also .

  5. Review by Han
    by Han

    It's our third full-length album working with Camilo!! He is definitely a reliable music partner and mentor. He uses his expertise and enthusiasm to help us push our works to another level. If you are looking for a top Mastering Engineer, I believe Camilo is your best choice!

  6. Review by why n.
    by why n.

    Camilo is a top notch engineer, easy to work with and super professional!
    Very pleased with his work

  7. Review by Michael (.

    Another great master from Camilo. I was impressed he remembered our preferences from the first time we worked with him and nailed the sound on the first delivery. Thank you Camilo!

  8. Review by Malu S.

    Camilo responded very fast and was very helpful! The master sounded great, i would definitely choose him again :)

  9. Review by Sarah Tilghman

    Camilo was the first ever person I worked with on SoundBetter and he continues to be the one I go back to for mastering my tracks. Stellar work, so intricate with detail, so kind and always so accommodating with deadlines.

    Thank you for another amazing master!

  10. Review by xhrmusic

    It has been an honor working whit Camilo. Great and outstanding communication; he also speaks Spanish which is a plus for me. I can only say good things about Camilo and his job mastering my song. I definitely recommended it to anybody that is looking for a real person to master a song. Great results.

Interview with Camilo Silva F Mastering

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: Shallow Side's EP "One", a terrific rock band from Cullman, Alabama! They're doing amazingly well, had a couple of songs on the top 40 Billboard rock charts and they're getting nice reviews on the specialized media. Another recent one was the complete score for the "Gabe" documentary, directed by Luke Terrell. around 30 music pieces...A real nice one.

  3. Q: What are you working on at the moment?

  4. A: Lots of albums...And a huge load of singles! From projects all around the globe.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: Yes, in fact, I've been working shoulder to shoulder with Andres F. Millan, which besides being a terrific recording and mixing engineer, he's also the past president of the Audio Engineering Society (AES) Colombian section and we share many projects together. Reach him here:

  7. Q: Analog or digital and why?

  8. A: Both! It doesn't matter anymore but nothing can beat the ergonomics and speed of tweaking in the analog domain. However, most of my problem-solving would be impossible or impractical in the analog domain.

  9. Q: What's your 'promise' to your clients?

  10. A: I promise you this: A big smile on your face. Also, I promise to be honest and straightforward at all times. If that means turning down a job because I'm not the right fit for it, then I'll be honest about it and let you know. As long as you know what you want and are 100% satisfied with your mix, you'll be smiling all over :-)

  11. Q: What questions do customers most commonly ask you? What's your answer?

  12. A: Mostly about deadlines. And yes, sometimes I can deliver in about 24hrs or less depending on my workload. Sometimes I get asked about my custom-made gear. Even tho my gear choices are only relevant to me and my needs.

  13. Q: What's the biggest misconception about what you do?

  14. A: That would be the idea that anyone without real-world experience can do this in any room, treated or untreated, and get real-world results. Also, there's the misconception that AI or a preset on a plugin will be any better than a trained ear, a brain with good instincts, and a heart that can feel the music and react accordingly. Cheaper, yes. But no good.

  15. Q: What questions do you ask prospective clients?

  16. A: Not much really. Mostly about deadlines. I let the music do the talking!

  17. Q: What advice do you have for a customer looking to hire a provider like you?

  18. A: Take your time to evaluate your options. No rush! And let your prospect engineer's experience and credits do the talking. He / She needs to be a good fit for your project. Remember: Equipment is irrelevant compared to human talent.

  19. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  20. A: 1 - My Barefoot MM26 speakers. 2 - My soldering iron and Hakko desoldering station, so I can modify anything I want !!. 3 - My Herman Miller chair, comfort is paramount. 4 - Cashews. Lots of them. 5 - Good company!

  21. Q: What was your career path? How long have you been doing this?

  22. A: I've been doing this since I've finished high school. I jumped on a console as soon as I could after that. I wanted to be who I am now since I was 13. Of course, I've had luck, but I always prepared to ensure that I was worthy when the big chance arrived. Being doing this in my own mastering room since 2013 :-) And getting better each day at it. I could say more than 22-24 years (since I started doing this while in high school and I'm 41 right now), but I always count 2002 as the year I got my first world-class studio job as a recording/mixing engineer. I've been blessed winning a couple Latin Grammys and being nominated 16 times over the years. Four of them are name nominations (when the engineer is nominated by name, just as the artist, that happens on the album, song, and recording of the year). Not that such award is relevant from an engineering standpoint, but it is nice having them tho.

  23. Q: How would you describe your style?

  24. A: My style is a combination of a technically-minded but very creative and ever-evolving workflow. Loud, punchy. dynamic.

  25. Q: Which artist would you like to work with and why?

  26. A: Hard one...Every gig is a different journey, fun and rewarding every time but I'd like to get back in time 30-35 years and do some work with such an innovative band as Queen, maybe The Cars, something inventive and technically demanding like that...

  27. Q: What type of music do you usually work on?

  28. A: Pretty much everything. Just check out my playlist at

  29. Q: What's your strongest skill?

  30. A: Technical proficiency combined with experienced ears and great people skills. In other words: I'm a total client pleaser.

  31. Q: What do you bring to a song?

  32. A: Perspective. Vision, objectivity, and a fresh set of skilled and experienced ears. I'm not your typical no-credits, no-name, no real-world-experience youtube-educated "mastering" guy. I've done the whole ear-educating process of being a recording and mix engineer for more than a decade. I use all that experience to my client's advantage. Remember this: A mixing engineer who also offers mastering (usually as a package and generally doing so in a mixing room not designed and optimized for mastering to keep costs down) can get good results quite often, but a true mastering engineer is irreplaceable (Gladly !). We get paid for our experience and objectivity and the ability to apply that experience and objectivity in a specialized, fine-tuned environment.

  33. Q: What's your typical work process?

  34. A: My workflow is: Get the files, assess them and once I've verified they're fit for the process, I'll let my client know we're good to go then proceed with the mastering! For albums, I do prefer to work a single ahead of the rest but all my decision-making is context-based (For albums or EPs)

  35. Q: Tell us about your studio setup.

  36. A: My setup is custom-built primarily or modified gear. I tend to dislike stock gear, so I design and build my own equipment. But it is also complemented by many key "stock" pieces like the BuzzAudio REQ Mastering equalizer or the Pendulum PL2 mastering limiter...For the monitoring, only top-notch will do, and my choice is Barefoot Sound MM26 - it may be an unusual choice for a mastering guy, but believe me, nothing I've ever used comes close for my particular needs and setup. My electro-acoustic setup is perfected using the most sophisticated acoustic correction system known to man : (((accurate))) by AudioVero. This system is so powerful that it runs on its own dedicated computer with an extensive digital i/o card (Lynx AES16) to handle all my digital sources. Accurate effectively perfects my impulse, transient, phase, and frequency response to be as perfect as physically possible, but of course, you need proper room and high-end monitoring to take full advantage of such a system. It is pretty hard to implement and really involved, definitely not plug-and-play - I had to spend a couple of months studying it before I was able to implement and integrate it into my room, but it has paid off tremendously: Decisions are quicker and more confident than ever, clients are happier than ever too! It has to be heard to be believed. This system makes any other similar system on the market (Dirac, Trinnov, IK ARC) look like a toy. I built my passive monitoring controller to be superior to any active (amplified, be it discrete, opamp, etc..) monitor controller. Its signal path is the closest you'll get to a wire, and there are no active components anywhere. Also, stereo tracking error is less than 0.1dB worst-case scenario. I made sure of that by matching every part by hand to 0.1% tolerance. My room is rated at NC (noise criterion) 20 with the ventilation system running. It's hushed. Also, I have natural lighting, which is a big plus. Comfort, comfort, comfort! This is paramount!

  37. Q: What other musicians or music production professionals inspire you?

  38. A: More than music production professionals, I'm inspired by people like me: Studio engineers who can build their own equipment or genius designers who influence all our sounds with their designs: People Like Bill Putnam (UA), Rupert Neve (Rupert Neve Designs), George Massenburg (GML)...

  39. Q: Describe the most common type of work you do for your clients.

  40. A: At this time, I'm dedicated exclusively to Mastering!

  41. Q: Can you share one music production tip?

  42. A: Trust your instincts. Don't overthink. Don't procrastinate, take quick decisions and commit to them.

  43. Q: What do you like most about your job?

  44. A: That it doesn't feel like a job anymore. It's pure pleasure.

Phoenix by Deco Halo (US)

I was the Mastering SPECIALIST in this production

  1. play_arrow
    Phoenix by Deco Halo (US)
  2. play_arrow
    El Adivino by Pablo Dazán (CO)
  3. play_arrow
    We Could Be Beautiful by Josephine Rojer (US)
  4. play_arrow
    La Guaca by Tropickup (CO)
Terms Of Service

Two revisions included as long as it is the same mix. MFiT/ADM is included at no extra cost if requested in advance. One alternate version (Your pick from Inst or TV mix) is included!

GenresSounds Like
  • Shallow Side
  • LosPetitFellas
  • Totó La Momposina
Gear Highlights
  • Barefoot Sound MM26
  • Ampex ATR104 1/2" Tapemachine
  • BuzzAudio REQ2.2MEA
  • Pendulum PL-2 Mastering Limiter
  • CraneSong Solaris DA
  • Burl B2 AD
  • Kush Clariphonic MS EQ
  • High Voltage Audio EQ6S
  • Camilo Silva F. All-Tube DA
  • VariMu Limiter&Tube Mastering Compressor
More Photos
SoundBetter Deal

MFiT/ADM free of charge ! 24bit files free of charge ! One alt version free of charge ! (TV Mix or Instrumental). DDP free of charge for albums and EP's ! (if requested beforehand)

  • Five 2021 Latin Grammy nominations for Camilo Silva F Mastering!Sep 29, 2021

    We did it again! We just got nominated for "Album of the year", "Recording of the year", "Song of the Year" and "Best Traditional Pop Album" with "Mis Amores" from Paula Arenas. Plus "Best Contemporary Tropical Album" With "La Musica Del Carnaval - XX Aniversario" from Juventino Ojito & Su Son Mocaná". That's FIVE nominations this year.

  • Another Latin Grammy Nom for us ! Aitana's "Spoiler"Sep 29, 2020

    Awesome ! Aitana's "Spoiler" has been nominated "Best Pop Vocal Performance" for this year's Latin Grammy awards ! Mastered by Camilo Silva F Mastering (except a couple tracks).

    Full credits here :

  • Three Latin Grammy nominations for us this year !Sep 24, 2019

    Great news ! Three albums mastered at Camilo Silva F Mastering just got nominated for the 20th Latin Grammy Awards !!

    Cimarron "Orinoco"

    Burning Caravan "Ciudad Faro"

    Claraluna "Imaginaré"

    A big shout out to this phenomenal artists ! Proud to had the privilege to master their albums. 

  • Latin Grammy for us !Nov 16, 2018

    Great news ! Claraluna's "Imaginare" won "Best Children's Album" on the 18th Latin Grammy Awards. Proudly mastered by yours truly at Camilo Silva F Mastering :-) 

  • New monitoring system !Nov 08, 2018

    Now on service at Camilo Silva F Mastering, the incredible Barefoot Sound MicroMain26, the latest generation of this technology-driven and innovative brand. Our choice of monitoring since we started !

  • Latin Grammy nominations for two of our projects !Sep 27, 2017

    Two albums recently mastered at Camilo Silva F Mastering got nominations this year on the Latin Grammy Awards : "Coletera" from Colectro ( on "Best Tropical Fusion Album" and "Cumbia Del Rio Magdalena" from Juventino Ojito y su Son Mocaná ( on "Best Cumbia / Vallenato Album". Congratulations to them ! 

  • "The Gabe Documentary" Wins at FirstGlance Film Festivals ! Mastered at Camilo Silva F. Mastering !May 16, 2017

    We've just found out that "The Gabe Documentary" Wins "Best Documentary" at FirstGlance Film Festivals ! Mastered at Camilo Silva F. Mastering ! Directed by Luke Terrell, Music by Andrew Marsh. This was a very challenging 31-piece score plus main song theme. Lots of fun !

  • New ! Acourate FIR room correction system just installed !Mar 01, 2017

    We just installed the most sophisticated room correction system on existence ! (((acourate))) by AudioVero. This system's goal is perfecting an already great monitoring system, improving step response, frequency response and IACC coefficients. It has to be heard to be believed ! Our monitoring system is now reaching impressive precision levels which make our work even better. 

  • Latin Grammy Nomination !Sep 23, 2016

    "1-2-3 Llega Navidad", from ClaraLuna, mastered at Camilo Silva F. Mastering just got a nomination for "Best Kids Album" at the 17th. Latin Grammy Awards !

  • New in the room !! BuzzAudio REQ2.2 MEA Mastering EQJun 04, 2016

    Thanks to all our client base for making this possible for you. We keep working real hard to offer the best of the best to you !