Bass player for Pharoah Sanders and Steve Harley
I have played on over 60 albums with jazz artists, singer-songwriters and world music artists as well as film soundtracks and music for tv. Whilst I am mainly a jazz player I have worked with many singer-songwriters and folk artists such as Steve Harley, Lau, Cara Dillon, Polly Paulusma, Martin Simpson and Rosabella Gregory. I also play with the bow. I recently played in the string section for Dionne Warwick at the Royal Albert Hall. Recent tours include Sheridan Smith, Steve Hackett's orchestral project, Alison Balsom and Collabro.
I studied jazz at the Royal Academy of Music under the legendary Jeff Clyne, graduating in 2000. I've been working since then in various bands. I played in Pharoah Sanders' quartet for all his concerts in Europe from 2012 until 2022.
I have been playing with Steve Harley since recording the album 'Uncovered' in 2019.
I record from home using a DPA and a ribbon microphone into Logic via an Apogee Duet interface. I will send you both tracks so you can blend them to get the bass sound you want.
I also play bass guitar and have an old precision that records really well.
Send me a note through the contact button above.
Credits
34 Reviews - 8 Repeat Clients
Endorse Oli Hayhurst
check_circleVerifiedGreat work again!
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Skillful, subtle playing.
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Oli is providing consistently good playing!
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Oli had the exact feeling I was looking for.
Timely and professional!
Can't wait to have you on some more of my songs.
Thank you! - check_circleVerified
Awesome bassist! Really saved the day on a rush job. Can't wait to work with him again. :)
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Great playing. Warm sound..
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Excellent playing. Went the extra mile.
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Oil’s playing is right on the mark-and creative.
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High quality playing. Oli picked up on the feel and gave life to the recording.
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Have worked with Oliver on several tracks and with each experience the results have been undeniably remarkable. Beautiful sounding instruments and excellent high quality professional recording skills coupled with his intuitive musical sensibility and extraordinary playing skills make Oliver an easy 5 star artist to recommend.
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A remarkable musician and human, highly recommended SB professional musician.
Recording quality is equally as extraordinary.
5 star experience. - check_circleVerified
Smash that Contact Oli button and get one step closer to one of the greatest most professional musical experiences you'll find on Soundbetter. It is not possible to recommend this extraordinary talent enough.
G Michael Hall - check_circleVerified
A musically covalent and profoundly intuitive player with excellent recording skills . My experience with Mr Hayhurst means that he will be on my first call list for the foreseeable future. An extraordinary musician with a natural instinct for playing what a track needs and wants. 5 star experience and highly recommended to any and all looking for a professional stress free experience with a world class talent.
G Michael Hall - check_circleVerified
Graet peroformer with a great personality!!!
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He is a great performer, blowing me away!
I might keep working with him from now on!!!! 
check_circleVerifiedOli always blows me away with his incredible playing! He brings so much energy to all of my songs! I'll be back!
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Working with Oli is a doozy. Total pro.
check_circleVerifiedOil is very easy to communicate , and will give you more than you
expected , good experience ! highly recommend!!- check_circleVerified
Oli is a dream to work with, gave me multiple takes that were perfect with nice, quiet stems in 24 bit. Very professional and nice person; highest recommendation. Thank you Oli. E
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Absolutely blown away by Oli’s bass playing. I sent through a written bass line I wrote in the Motown style and Oli did my version and an improvised version on precision bass. Both were played really well and the recording quality was top notch. I’ll be back!
Interview with Oli Hayhurst
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Steve Harley's Uncovered album. We recorded in 2019 in Rockfield studios. All there for a week. I knew the drummer and the engineer before but had never met Steve or Martin Simpson. We had a lovely time, playing all day, experimenting with different feels for the tunes, Martin trying different instruments and tunings, Tom going between drums and percussion. All mixed in the end with no EQ on anything apparently.
Q: What are you working on at the moment?
A: Just slowly getting better...
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: If you are after other musicians I am sure I can make some recommendations
Q: Analog or digital and why?
A: Oh, I'm not an engineer. I like vinyl but digital is so convenient...
Q: What's your 'promise' to your clients?
A: Your music will sound better with me playing on it
Q: What do you like most about your job?
A: I just like to play but the process of going from first hearing a song to finishing recording it is really interesting. You learn so much along the way. Maybe your first idea was perfect or maybe you were hearing it all wrong and it takes time to change your way of thinking.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can you play with the bow? Yes Can you play bass guitar? Yes Can you do this quickly? Yes
Q: What's the biggest misconception about what you do?
A: It's not a big guitar
Q: What questions do you ask prospective clients?
A: How quickly do you need it done? Do you have any charts/midi files which will save me transcribing your demos?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Send me a message
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Man, it feels like I am on a desert island with this lockdown. I have my bass, a bow, Spotify for playing along to the greatest musicians and some books of classical etudes. I guess number 5 might be the pocket trumpet I am trying to learn to play.
Q: What was your career path? How long have you been doing this?
A: I played bass guitar in blues, then funk and jazz bands as a teenager. After dropping out of a physics degree I bought a double bass got a place at the Royal Academy of Music in London to study jazz. That was 1995 and I have been playing it ever since.
Q: How would you describe your style?
A: Someone once described my playing as lyrical and groovy which I am very happy with
Q: Which artist would you like to work with and why?
A: I just want to get back to playing with Pharoah when we can all travel again
Q: Can you share one music production tip?
A: I guess it's all about making decisions. You can even make decisions about when you make decisions but sometimes you just have to stop thinking and play
Q: What type of music do you usually work on?
A: I am really a jazz musician who is very happy playing great time with a good drummer
Q: What's your strongest skill?
A: I just play bass
Q: What do you bring to a song?
A: Hopefully I bring a warm, fat sound which will sit easily in the mix and underpin everything else. I am very happy to experiment with how interactive and busy a bass part should be and often give clients different versions they can edit between so some melodic fills can end up where they are contributing most to the song without getting too much.
Q: What's your typical work process?
A: The client sends me whatever instructions, demos, charts they have along with the track with no bass. I may have to do some transcribing from the demo which is no problem, play from a chart or come up with a new bass part. I am very happy improvising off chord charts or a basic groove.
Q: Tell us about your studio setup.
A: These days I am mostly just using an SE Voodoo ribbon mic straight into logic via an Apogee Duet interface. I have a DPA 4099 which is a great sound too but I think the ribbon captures the whole bass in a natural and warm way.
Q: What other musicians or music production professionals inspire you?
A: My favourite bass players include Charlie Haden, Ron Carter, Danny Thompson, Paul Chambers, Jimmy Garrison and Scott La Faro
Q: Describe the most common type of work you do for your clients.
A: Most people want me to play upright bass on a track to replace a demo, adding subtleties, variety and warmth
I was the Bass player in this production
- Bass UprightAverage price - $100 per song
I will do one revision for free. Nobody ever needed more. I will complete the project within a couple of days as long as I am not away on tour. Say if you are in a hurry I'll get straight onto it.
- 1880s German Double Bass
4 tracks for the price of 3
