I offer collaboration, not just "hiring". This view makes amazing results. Professional, creative and modern-style mixing, always keeping listener's attention alive with special tricks.
Active since more than 10 years in pop, urban, and rock area, combining professional results with unique effects and offering to all the artists I collaborate with:
- Unlimited revisions until perfection: no additional or hidden costs from the agreed quote until the perfect mix, always open to any suggestion and adjustment, without rush.
- Professional and proud sound character with a special attention in the mixing phase to the effects and special effects for each single genre, in particular regarding vocals and instrumental. Expect to have great movement, with effects such as vinyl stops, reverses, stutters, psychedelic delays, reverbs, echos, crazy filters and many more magic tricks.
- If needed, vocal tuning will be applied in a pure-manual intervention (note by note) up to extreme autotune settings for trap and modern r&b
INSTRUMENTAL PRODUCTION: personalized solutions, just let me know what you have in mind.
MIXING // price per song:
100$: 2 to 4 stems
150$: 5 to 8 stems
200$: 9 to 16 stems
250$: 17 to 24 stems
300$: 25 to 32 stems
More than 32 tracks: +15$ for each group of 8 tracks
MASTERING: 50$ / song
AUTOTUNE / VOCAL TUNING: around 30$ per vocal stem depending by the work needed on correcting the performance.
Send me an email through 'Contact' button above and I'll get back to you asap.
1 Reviews - 1 Repeat ClientEndorse Marco Moscetti - Esof Records
Interview with Marco Moscetti - Esof Records
Q: Describe the most common type of work you do for your clients.
A: Mixing with a special attention to have fresh, modern and always moving mix. Not just "sounding good" but something creative, giving freshness to each transition and empty point a recording could have.
Q: What other musicians or music production professionals inspire you?
A: Sylvia Massy, she's totally mad.
Q: What do you bring to a song?
A: Focus is on the right classic effects and special effects, always experiment new combinations, I want that my signature can be heard in all the songs I do, taking care of each song as it was mine: the aim is to keep listener's attention always alive all along its duration.
Q: What's your strongest skill?
A: Vocal processing
Q: Can you share one music production tip?
A: Electronic music: always consider a sub bass instrument, this is what deliver to your track a professional feel. Be minimal while layering synths to have more power and definition on the final master.
Q: What was your career path? How long have you been doing this?
A: Started as a hobby in the early 2000's, worked in a small television, then started recording and mixing a lot of people. I don't even know how I could reach thousand of songs done without being conscient.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: I'm always hungry, I think I would bring just a lot of pasta :)
Q: What advice do you have for a customer looking to hire a provider like you?
A: Ask always for the best quality possible, at first from yourself and your recordings.
Q: What's the biggest misconception about what you do?
A: That's a quick job that is made by just pressing a couple of buttons, and that we can get miracles from low quality audio files.
Q: What's your 'promise' to your clients?
A: I'll take care in a natural way of their music as it were my music, without stress, because I love this art.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Alisha Jade "Still Waters" album, I mixed half of that album, she wanted unique ambiances and effects, you can find it on Spotify, she's an awesome artist!