
Complete Goals, Value The Process.
I am Mr. Chow, also known as ofcl. [Official]. --i am a professional music producer, licensed audio engineer, creative-artist. I specialize in ALL MUSIC & i am well-versed in computers & studio equipment/software. I have 15 years + experience in the field of Music. I have my own home-based studio as well as access to major studios in the local area. My portfolio is diversified in many areas. My clients include: Skip Marley, Alex Isley, SRC/Universal Music Group, Loud Records, Atlantic Records, Wu-Tang Clan (Killa Bees), 1500 or Nothin, O'so Krispie, Dj Ill Will, Blair Perkins & more. Let's work!
Would love to hear from you. Click the contact button above to get in touch.
Would love to hear from you. Click the contact button above to get in touch.
Interview with OfclForever
Q: Analog or digital and why?
A: Both. Analog's warmth will never go unnoticed. Digital is very beneficial. I personally work primarily in a digital setup because of the flexibility, precision, and variety of tools it offers. With digital, I can work with a wide range of software and plugins that allow me to tailor each project to the specific needs of the client. It also gives me the ability to make adjustments easily and efficiently, which is essential when working with tight deadlines. That said, I do appreciate analog equipment for its warmth and character. There’s a certain depth and richness that analog gear can add to a sound that’s hard to replicate digitally. So, depending on the project and the desired outcome, I may incorporate some analog elements, like vintage compressors or tape machines, to enhance the final product. Ultimately, it’s about using the right tools for the job, whether digital or analog.
Q: What's your 'promise' to your clients?
A: My promise to my clients is that I will always prioritize their vision and goals, providing high-quality work that exceeds expectations. I promise to communicate clearly and consistently throughout the process, ensuring they feel heard and involved at every stage. I will bring my technical expertise and creative insight to the table, working tirelessly to make sure the final product sounds polished and resonates with the intended audience. Ultimately, my goal is to create something they’re proud of and excited to share with the world.
Q: What do you like most about your job?
A: Too many to name.
Q: What questions do you ask prospective clients?
A: What is the overall goal of your project? Do you have any references or inspirations? What are your priorities for this project? What’s your preferred timeline and budget?
Q: What advice do you have for a customer looking to hire a provider like you?
A: I encourage potential clients to be clear upon decision-making & to check out my previous work to get a sense of my style, but also to reach out and have a conversation with me—your project should feel like a partnership, and I want to make sure we’re aligned before we begin.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: technics record player, mackie big knob studio, apogee duet, american mixer, presonus preamp,
Q: What was your career path? How long have you been doing this?
A: All my life.
Q: How would you describe your style?
A: Cut from a different cloth.
Q: Which artist would you like to work with and why?
A: I would like to work with J Cole, Kendrick Lamar, Nipsey Hussle, Cee-Lo Green & Nate Dogg because i believe that the musical innerstanding would be honorably represented.
Q: Can you share one music production tip?
A: Stay ready!
Q: What type of music do you usually work on?
A: Hiphop, Rap, Pop, Soul, Blues R&B, Classic Rock N Roll, Westcoast, Eastcoast,
Q: What's your strongest skill?
A: My strongest skill is my ability to adapt.
Q: What do you bring to a song?
A: i bring distinction to a song. Whether it's adjusting the balance of instruments, refining vocals, or adding the right effects, I focus on ensuring that each part of the song complements the others. I also bring a high level of attention to detail, making sure that no small imperfection goes unnoticed, but also keeping the big picture in mind to make sure the track resonates with listeners. Ultimately, I strive to bring out the best in a song, giving it the clarity and power it needs to shine, whether it’s for a radio-ready track, an album, or any other type of project.
Q: What's your typical work process?
A: First, I start with an initial consultation to understand my client's vision and objectives, whether it's for a song, podcast, or any other audio project. From there, we discuss specifics like the desired sound, style, and any references they have in mind. Once I have all the information, I get to work on the audio. For music projects, this typically involves mixing the tracks to balance levels, EQ, and effects, followed by mastering to ensure the final product sounds great across all platforms. I keep the client updated throughout the process, and I make sure they’re happy with the direction before proceeding to the next stage. After finishing the initial mix or edit, I offer revisions based on the client's feedback. Once everything is finalized, I provide the client with the polished, final product in their preferred format, ready for distribution or publishing.
Q: Tell us about your studio setup.
A: "My studio setup is designed to provide a professional and versatile environment for recording & mixing. I use top-tier MacBook Pro Laptop including a high-quality mackie monitor controller and interface. JBL Professional reference monitors, and a range of microphones suited for various recording needs. I primarily work in a digital setup, using industry-standard DAWs like Pro Tools and Logic Pro, with a selection of plugins for precise audio manipulation. My room is acoustically treated to ensure accurate sound monitoring, and I’ve also invested in high-end headphones for critical listening. The goal is to create an environment where I can deliver the highest quality sound to my clients, no matter the project.
Q: What other musicians or music production professionals inspire you?
A: Randy Newman, Rakim, Alanis Morrisette, Fleetwood Mac, Barry White, Al Green, KIZZ, TigerArmy, Nipsey Hussle, Lester Young, Bobbi Humphrey, Bilal, Cyhi Da Prynce, Anita Baker, Chaka Khan, Dom Kennedy, Curtis Mayfield, Snoop Dogg, Hi-Tek, Dj Quik, Havoc, Wu-Tang, Rakim, 2pac, 94 east & prince, Nicole Wray, Tom Browne, Jazmine Sullivan,
Q: Describe the most common type of work you do for your clients.
A: The most common type of work I do for my clients is music recording and mixing. I work with artists to bring out the best in their recordings, ensuring that every track sounds polished and balanced, whether it's for an album, single, or even a commercial project. I also offer audio editing services, such as cleaning up recordings, enhancing vocal clarity, and fixing any timing or pitch issues. My goal is to deliver a product that sounds great across all listening platforms.

I was the Artist, Producer, Engineer, Mixer in this production
- Recording StudioAverage price - $100 per day
- Mixing EngineerAverage price - $100 per song
- Mastering EngineerAverage price - $200 per song
- Game AudioAverage price - $250 per day
- Beat MakerAverage price - $100 per song
- ProducerAverage price - $100 per song
- macbook pro
- mackie big knob studio
- JBL monitors
- imac
- logic pro
- Pro Tools
- Ableton
- FL Studio
- Renaissance
- Waves
- Abbey Road Plugins
- M-Audio Studio Monitors
- Apogee Duet