Dedicated and client-focused freelance audio engineer with 5+ years audio/visual experience driven to capture and deliver outstanding recordings.
Mix and Production specialist with a focus on experimental sounds and foley recordings. I am able to take your song from an idea in your head through the recording, mixing, and production process as well as offering basic mastering services. I dabble in audio synthesis, sound sculpting, live and recorded visual fx, music videos, and have an exceptional hand in more rote tasks such as dialogue editing, audio restoration, and event production. Having worked on a feature-length film as well as a couple short films, I am able to create music, foley, and sound effects for a variety of audio visual work. I work mostly with Hip Hop, Indie Rock, and Ambient artists and personally explore many different subgenres of electronic music, while also retaining a completely open mind and taste in all genres of music. Whatever your needs, I can take care of it or I personally know someone who does.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
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Interview with Tony Sarić
Q: What other musicians or music production professionals inspire you?
A: Massive Attack, Amon Tobin, Clams Casino, Death Grips, Daniel Lopatin, Forest Swords, Galimatias, Boards of Canada, Burial, Gorillaz, Portishead, Nicolas Jaar, DJ Shadow, FKA Twigs, Godspeed You! Black Emperor, Herbie Hancock, Shabazz Palaces, Skream, T.S.O.L.
Q: What do you bring to a song?
A: Creative and experimental ideas to add production depth and level to the tracks. I am willing to continue experimenting until I find that perfect sound. Not held down by traditional techniques.
Q: What type of music do you usually work on?
A: Experimental or ambient music is my favorite because the possibilities are endless. I also love bringing together hip hop or indie type music especially if it has an edge that no other artist has currently. I listen to a lot of trip hop, dub, punk, and jazz.
Q: Can you share one music production tip?
A: Be creative with your audio signal routing techniques. You never know what you can string together between analog and digital equipment to find a very unique sound.
Q: Which artist would you like to work with and why?
A: Anyone out of the record label Tri-Angle Records because they all have unique sounds and approaches to the current music scene. I really believe they are breaking molds and paradigms with their visions.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Just like with a tattoo artist, look for someone who is not only interested in your piece of art, but also has a strong vision of what it could be. Someone who gets excited to work with you.
Q: What's the biggest misconception about what you do?
A: That creating a unique sound doesn't take as many hours as it really does. Happy accidents don't just happen without a lot of time and energy put into the process.
Q: What do you like most about your job?
A: The freedom of being able to decide what sounds good. Everything is subjective. Nothing is 100% until you hear it with your own ears.