Award-winning songwriter, producer, mixing engineer, multi-instrumentalist, owner & chief operator of Echo Base Production, one-third of the 2Many Cooks production team, pop/R&B/hip-hop obsessive, Prince devotee, pocket aficionado.
Hello! I'm Nate Mondschein, a songwriter, producer, mixing engineer, multi-instrumentalist, & owner/chief operator of Echo Base Production, a music production company based out of Massachusetts. Across a decade-plus, I've has worked alongside a diverse array of musical artists in a variety of genres, from pop powerhouse (Camille Trust, Jess Best) to post-punk psychadelia (Old Flame) to neo-indie-fusion-soul (The Rooks) to indie-hip-hop (Josh The Word). I also write & produce music for various synch and commercial outlets, including Viacom & Row House.
In 2019, I received the ASCAP Robert Allen Award for my production, songwriting, & mixing work with Camille Trust. I've also had my music featured in a variety of publications, including The New Yorker, Afropunk, & Okayplayer.
With every Echo Base production, I do my best to bring to the table my passion for emotive, emotionally authentic performance, a drive to create (and manipulate) compelling analog sounds in a modern context, an ear for creative yet catchy arrangements, an encyclopedic catalog of musical references to draw upon and incorporate in an innovative way, & an unending commitment to the pocket. My studio is fully equipped for remote songwriting, production, & mixing sessions.
If you're interested in working on a track together, don't hesitate to hit me up here or via email @ echobaseproduction.com
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
- "Psyched Out" by Josh The Word (Production/Bass/Keys)
- "Wires" by The Rooks (Composition/Arrangement/Production/Drums)
- "Do You Realize" by Trot Fox (Drums/Production/Arrangement)
- "Henry Hall EP" by Henry Hall (Drums)
- "Hush Money" by Old Flame (Bass)
- "Gone Baby" by Jess Best (Drums)
- "Call Home the Crow" by Mel Hsu (Drums)
- "Twister" by The Rooks (Composition/Production/Drums)
- "Something You Can Take" by The Rooks (Production/Drums)
- "Yer That" by Josh The Word (Productions/Drums)
- "Not a Shoe Store" by Angela Windgrove (Drums)
- "A New Kind of Sexy" by George Watsky (Drums)
- "Flags and Boxes" by Macedo (Drums)
- "Young & In Debt" by Old Flame (Production/Composition/Bass/Synth/Keys/Guitar/Backing Vocals"
- "On Your Own" by Nate Mondschein and Spencer H (Production/Composition/All Instruments)
- "Encyclopedia of the Broken Hearted" by Emma Ayres (Production/Mixing/Mastering)
- "Cycles" by Sodada (Production/Drums)
- "Interluud" by Sodada (Production/Drums)
- "Roots" by Sodada (Production/Drums)
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Interview with Nate Mondschein
Q: Tell us about your studio setup.
A: My goal in developing the Echo Base Production studio was been to facilitate the multi-instrumental style of production that I work in with the least amount of necessary setup/breakdown when shifting gears from one instrument to the next. As such, my rig includes a variety of stations for guitar and bass amps, a drum kit, and a vocal section all mic'ed and ready to track. I work through an Apogee interface, and use a variety of Neve/DBX/AEA/Warm Audio outboard gear. My mic selection is diverse enough to accommodate any style of production, including a variety of AKG, Beyerdynamic, Shure, Warm Audio, and Lauten dynamic/LDC/ribbon mics. I also often utilize virtual instruments on my tracks, and have relied heavily on Arturia V Collection, Kontakt, and Serum. The studio is setup to run through either Pro Tools or Logic Pro.
Q: What other musicians or music production professionals inspire you?
A: Blake Mills and Ariel Rechtshaid are two of the producers who's work and approach to production resonate with me most directly. As a songwriter and artist, musicians like SZA, Frank Ocean, Khalid, Charlie Puth, Carly Rae Jepsen, Demi Lovato, Bon Iver, Sufjan Stevens, Moses Sumney, The National, and Anaïs Mitchell are all incredibly influential to my work.
Q: Describe the most common type of work you do for your clients.
A: My recent work has tended to go in three unique, yet interconnected directions: the first, and most traditional, is a more standard approach to production in which I'll work with a band to develop their songs and arrangements, facilitate their recording sessions, and in many cases provide additional instrumentation to finalize the arrangement. I also frequently work in more front-to-back productions for artists in which I'll facilitate sessions to record their core vocal/instrumental track and then fully produce/perform multi-instrumental arrangements to bring those tracks to life, mixing the final product for delivery. Finally, I do a good amount of songwriting/production jobs, which generally involve my composing and arranging a song for an artist who will then track their vocals, and then I'll finalize the arrangement for mix.