Mixing & Mastering Engineers, Producers & Songwriters who worked with Webber/Morris Big Band

Mixing and Session Guitar  - Dust

My originaI music is cinematic, flamenco-informed instrumental music for visual media. Also have worked with Helado Negro, Anik Khan, Nesta, Haile Supreme.

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Explorations into Drift sounds - mrmmr
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Explorations into Drift sounds using a mass array of synths, driven by MPE overlays, with access to a vast library of reimagined samples, loops, recordings and a lifetime of music memories...I've pioneered Immersive Audio composition, capture, design/arrangement and output

Remote Mixing & Mastering - Alex Gispert

I'm a mixing and mastering engineer with a broad knowledge in music technology and music theory. I'm also a guitarist and producer that can guide and advise you to get to the top of the charts.

Vocals, Toplining, Songwriting - Amy Sems
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Hey, I'm Amy! People say they like to work with me because I have unique sounding voice and am dependable. My specialties are folk, singer-songwriter music, back up vocals, and top lining, but I can also do "dreamy" pop vocals. My original music is signed with multiple agencies, and I've had songs aired on TV shows. Let's get to work!

producer/songwriter/mixing - PLAYGROUND
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this is PLAYGROUND, a producer duo who works with a variety of major artists in Hong Kong. specialized in mixing, beat making and topline writing.

Pro EDM songwriter & vocalist - T.krayne
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Pro songwriter and vocalist with 300+ reviews on Fiverr. I offer high quality recordings and creative lyrics tailored to your unique ideas.

Producer and Audio Engineer - Abel Miranda
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I’m a producer, mixing, and mastering engineer focused on modern, dark, and cinematic sounds. From alternative R&B and pop to rock, indie, and experimental music.

Mix & Produce | Analog Punch - Eugenio Colman
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I blend the soul and warmth of classic analog hardware with modern digital precision to make your music stand out globally. 100% legal software, premium UAD processing, and a deep passion for sonic excellence.

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