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Mixing & Mastering Engineers, Producers & Songwriters who worked with Uk Garage/Bassline
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Offering engineering, mixing and post production services for a wide range of different styles and budgets. A hybrid approach using the best of digital and analog gear ensuring you get the sound you were looking for.
Matt Hibbard is an American songwriter, musician and record producer. Known for his knack of churning out sophisticated pop compositions with a rare ability of connecting with a diverse audience, his unique production and sonic craftsmanship has been compared to the likes of Jack Antonoff, Mac DeMarco, Beck and Tame Impala.
You will get what you ask for and more with a seasonned mastering engineer and technician with extensive experience in the french music industry and several certified platinum and gold streaming certifications. I will help you get to the next level and deliver the best sounding record possible.
I'm a drummer and guitar player and singer. I record, mix and mastering for myself from ten years. Pop/Rock/Metal
Musico trombonista graduado con mas de 15 años de experiencia y 10 en grabaciones en sesiones en vivo. ha trabajado con diferentes ritmos como Jazz, Blues, Salsa, Pop, Rock, Ska, ritmos colombianos y entre otros más.
Electronic rock composer, producer, and mix engineer
Certified Pro Engineer working currently out of Icon Studios in ATL.
Mixing
Recent Successes
"Rory has an amazing voice! And he produced great vocals for my project, as well as the process went very fast and smooth. Will absolutely recommend him!"
"great job as always!"
"Sefi was easy to work with and produced a high quality mix and master for my singer/songwriter holiday track. I'm really happy that I had the chance to work with Sefi and recommend him to anyone looking for a professi..."
"FIVE F—-ING STARS!!!! Gideon is super pro, super talented, a super good communicator- you could not ask for a better collaborator! HIGHLY HIGHLY RECOMMEND!!!"
"Cecilia nailed the piece within a matter of days with tasteful and soulful skill. Not only was the piece quite long, complex and somewhat atonal but there was the added demand of a click track. I couldn't be happier, ..."