Mixing & Mastering Engineers, Producers & Songwriters who worked with Stereo Amp Surfer

Production, Mixing, Mastering - Nils Van Der Karsten

Released with Sony, Universal, EMI, Kontor, Warner Chappel, PlanetPunk. I have a proven track record, Millions of Spotify Streams, released 500+ Productions and Remixes, Mixed and Mastered hundreds of Track. Worked / remixed for Scooter, Cascada, Mark Wahlberg, Chicane, Ayu, Sean Tyas, Future Breeze, DeeDee, Marc Korn, Future Trance United

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Music Producer - Cam Alexander

I am a musician/songwriter first, THEN a producer. If the production work on a song doesn't compliment the song itself and make it better, then it isn't good production. I put the songwriting and arranging above all else and make my production decisions based off what will compliment the song best, rather than what new cool synth I want to try.

Composer/Producer/Sound Design - Thomas Trueman

Composed for BBC, Netflix, Ninja Tune Production Music and more. Produced tracks with over 2 million plays and landed editorial playlists such as Lofi Beats. Designed sounds for Novation, Splice and SoundGhost.

Production, Mixing, Vocals - Ekstent

Let's create something timeless together! I will help you with every step along your process from Concept to the final finishing touches.

Music Producer & Beatmaker - Storyteller

Just under 4 years experience in Music production, Audio Editing, Mixing & Mastering and Beatmaking. I work in a wide variety of genres and always deliver in a timely manner.

Producer and Songwriter - Freddie Yates
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Ready to take your music to the next level? I'm Freddie, a songwriter, multi-instrumentalist, producer and mixing engineer with over 5 years of experience. I am super passionate about alternative, electronic and indie music, and would love to use the skills I've learned to help others see their visions come to life.

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Mastering Engineer <3 DIY - Joseph Mecham
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Balanced. Warm. Clear. Immersive. Huge. Professional. This is how you want your listeners to describe your tracks. Unfortunately most up-and-coming artists struggle to reach that last 10% where the mix goes from "good enough" to truly professional.

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