Mixing & Mastering Engineers, Producers & Songwriters who worked with Shadowraiser

Vocals, Guitars, Keyboards - Danny
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Creativity is everything.

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Mastering and Mixing Engineer - Felipe Mejia

Producer, Sound Designer, Mixing and Mastering engineer originally from Bogota, Colombia. I graduated from Berklee College of Music with a Dual Degree on Music Production and Engineering and Electronic Production And Design.

 Producer, Mixing, & Mastering - DG_TheLegend

My mission is to provide industry-leading entertainment products and services by expressing my creativity through unique sounds created to fit my client’s needs. I am devoted exclusively to the creation, development, professional production and distribution of the finest quality music.

Studio Mixing Remote Producer - Kris (Flava) Fisk

Hi. I've been very lucky. Muiscian and artist in the 90''s very successful DJ in the 00''s and now back in the studio.

punk rap artist & songwriter - Skizzmynig

I write pop punk rap / alternative rock songs!!🎸💫 Hot flows and new melodies, lyrically gassing each track🔥⛽️ 📝🎙New Wave 🌊

violist, improvisor, arranger - High-quality viola recordings
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Yanna Pelser has recorded for David Guetta, Duncan Laurence, David Garrett, Céline Dion, Justin Bieber and many others. Known for her precision, she often records viola lines for film music for Amp., an audio company based in New York and Amsterdam. She is expressive as a soulful soloist, but also subtle in adding tasteful string lines to songs.

 Indie Pop Production & Mixing - Matt Baker (IndiePopByMatt)

Whether it's in-person or remote Production, radio focused Mixing with depth & clarity or Intuitive co-writing & Instrumental building - I'll work closely with you to create distinctive, world class & stream worthy Indie Pop. I love working with artists who have big goals & are driven to push their craft and careers to the highest level.

Production mixing & mastering - Ed Docherty

Worked with James Carter, Justin Mylo, Sanah, The Tors. Cuts on Netflix and Eurovision submissions.

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