Mixing & Mastering Engineers, Producers & Songwriters who worked with Seahorsemoon

Credits from around the United States and Central America with bands such as Stollen Enterprise, SEV, No Policy, Seahorsemoon, and Insomnio Colectivo.

Credits from around the United States and Central America with bands such as Stollen Enterprise, SEV, No Policy, Seahorsemoon, and Insomnio Colectivo.

my name is Roma Nevelev. I'm from St-Petersburg,RU. I,m playing and recording bass- guitar professionally many years in a many different bands and projects. such as : DDT, Pushking Co, Alena, Raaja band...

I have experience playing a wide variety of rhythms, I can make multiple accompaniments, riffs, solos and almost anything that is needed for a production.

Agustín is Wannaclap's music producer, sound engineer, musician and mixing expert. He has been working for over 15 years in the music industry and now he is a co-founder of Wannaclap. Wannaclap is a 360 project aiming to boost artists by producing and helping them to reach their goals. We produce, manage, book, search and guide artists.

I'm an alien who have worked with Fanfare Ciocărlia, Sara Parkman, Syters Sol and Gåte. Multiinstrumentalist, livesound engneer, producer and professionally trained mastering engineer by Mastering.com. I've played drums since I was ten and recorded and produced music since I was 16. Today I teach drums, music production and I master music.

Professional live sound engineer, hobbyist recording engineer. Mixing your project with a lively perspective. Focus on rock and pop mix with a southeast Asian and North American fusion flavor.

We will help you and your music to sound as best as possible whether it's a complete mix or just a mastering. No matter what genre you make, we will take good care of your sound. Both analogue and digital gear have their own place in any sound post production and your sound is no exception.

Drummer with extensive experience in remote recording, i've been playing and recording drums and percussion for over 30 years I always play in service of the music; my approach is to play only what the song needs, bringing groove, creativity, and attention to detail—and adding percussion if necessary to provide a bit of 'glue' to the music