Mixing & Mastering Engineers who worked with pulse.

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Photo of Mad Hat Music
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Hi there, If you are looking for quality recording, mixing and mastering look no further! Mad Hat Music has been going on for a couple of years but the people behind the name carry many years of working in the field, in and out of the studio.

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Photo of LeQuid Bit Music Productions

Over 20 years combined experience recording, mixing, mastering, and production with the best artists in Rock, Hip-Hop, and Reggae in LA's best studios, as well as, remotely for clients worldwide.

Photo of Candy Shields
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(22)

I've been writing and recording since 16 and engineering my own sessions in Protools since 18. As a new signee of Chris Anokute (Katy Perry, Iggy Azalea, Rihanna) in partnership between Young Forever & Pulse Recording, I am local to LA and consistently collaborating with some of the city's best artists, writers and producers in varied genres.

Photo of Anna Montgomery
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(3)

I teach everything I know

Photo of Michael Zimmerling
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(3)

Michael started his career at HANSA TONSTUDIOS BERLIN. After 5 years of studying all tricks and tools of the recording trade he became a freelance Recording Engineer / Mixer. In the mid 80’s Michael was in such high demand by the Japanese music scene that he moved to Tokyo >>>

Photo of Jayson Robbins
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Photo of Aaron "AJ" Jenkins
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24 year old AJ Jenkins is quickly becoming the number one go to engineer/mixer in Los Angeles get your songs mixed with his sound now!

Photo of Conor OB

Conor is a composer, producer & sound designer, & over the course of his career he has gained invaluable experience working closely with directors, producers & music supervisors. He has developed sound design, music composition & audio production services for countless commercial/ TV/ film campaigns & has produced a wide range of recording artists.

Photo of Notablueberry

Hi, I'd love to add vocoder to your song! I also do full production and bass tracks. I have a master's in music and have been lucky to get to play all over the world.

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