Mixing & Mastering Engineers, Producers & Songwriters who worked with Nautilus Rising

Game and Movie Music Producer - Erik Tilleby

Erik Tilleby is a Swedish composer with a background in electronic and new-age music, known for his rich and atmospheric soundscapes. He first emerged in the ‘90s demoscene under the alias Marillion, contributing music to groups like The Silents. His work has since found its way into games like Pinball Dreams (DICE), Sub Station, and The Finals.

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Write Lyrics, Sing - Becky

My name is Rebekah Atkins Lyricist and Singer

Hammond/Wurlitzer/Piano/Rhodes - Jeffrey Howell
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I want to be your KEY component to recording

Music Producer, Musician - Rhodiana
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Find me as Rhodiana on spotify.

REAL Hammond B3 Organ  - Steve B
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Been playing the Hammond Organ for 50 years and it's true today as it was back then, there is nothing that sounds like a real B3 so why settle for an imitation? Love to work on your song to give it that big Hammond sound.

Mastering Engineer - Caden Baughman
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I’m here to get your songs sounding the way you want them: excellent. Whether at a live show or getting ready to stream. Loud transparent masters for digital, vinyl, and stem mastering that can compete with today’s loudness standards and don’t skimp on the mojo at a price that won't break the bank.

 - Heiner Kruse

My music is about ideas and emotions. "The Green Man (TGM)" is my alias, inspired by an ancient figure reminding you not to forget your inner voice (and music by Shut Up & Dance). I love to make music for and with pictures. My music was used for by Arte, BBC, CSI Miami and filmmaker Jan Bonny. As Heiner Kruse I write books, explore tools and teach.

Mixing Engineer - Mixed by Meissner
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The Mix. This is one of the, if not the most pivotal stage of a song coming to life and we are certainly aware of our responsibility, merely to enhance the artists vision, which is why we believe communication beforehand is paramount, in order to help the music blossom.

Bringing sound to life - Kristian Leo

Producing at the intersection where sound and the body meet. I specialize in mixing, mastering and production that prioritizes physical translation — how music lands in the body, not just on meters. My approach focuses on: controlled saturation and harmonic density dynamic movement that breathes low-end and midrange balance that creates ground

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