Mixing & Mastering Engineers, Producers & Songwriters who worked with Michelle Shantel

My goal is to make records that bring the artists vision to the world. I try to keep budgets reasonable and deliver on time. If you like what you hear, please feel free to get in touch.

I am a Music Producer and a live Sound Engineer. With years of experience and training. Mastering is even offered. As far as studio time that all depends upon you Budget.

I graduated top of my class in SAE Institute, I have a home-studio, I treat every project like it's my last.

I believe every mix is unique and I usually focus on creating the right vibe for the track. I don't have a fixed process, it's all depends on the mix, client preferences and requirements. I use industry standards tools to work on until the client is satisfied with their requirement.

I made productions for La Bouche and No Mercy, Gloria Gaynor, Jocelyn Brown (Incognito, Chic), Niki Haris (Madonna), Jessie Wagner (Lenny Kravitz, Duran Duran), Tania Evans (Culture Beat), Sabrina Johnston, Spike, Deskee and many more.

Let’s collaborate! Get your original song where it needs to be with guitarist/bassist/engineer, Lucas Carillo! Wether it’s a simple rhythm track, a legion of orchestrated guitar parts, wall of sound/ambient sounds, or a blistering solo, alongside mixing, and electric bass Lucas Carillo has you covered at an affordable price!

Diamond certified HUMAN producer/engineer, 15+ years of experience working with hundreds of artists such as BLANKA, James Newman, GRACEY, Audien and many more. Recordings from budget setups to high-end studios, I've worked with them all and know exactly how to get the best out of any track.

Hi there! We are a composer collective writing and producing music for film, commercial and bands. If you need a great orchestral arrangement, sweet synth-atmospheres or catchy commercial music we are the ones to hire :-) get in touch if you like!

I'm deeply involved with the DTM and VOCALOID scene and know all the hurdles that bedroom producers face, like dealing with vocal synthesizers or sampled orchestras / virtual instruments, thus I have no problem in making them sound alive and convincingly real.