Mixing & Mastering Engineers, Producers & Songwriters who worked with Marco Colonna

Mix, Master, Recording - Ernesto Ranieri
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Listening is the first step to make music sound the best. Mixing within 25 years of experience, recording, producing bands, playing overdubs as session musician, worked with jazz, rock, folk, indie-alternative musicians and songwriters always getting in touch with the creative process.

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Platinum Music & Vibe Producer - Dream Addix
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Dream Addix - Platinum-certified production duo, who built up a catalog of hundreds of songs with various writers. They are also known for top writing, including lyrics and melodies. DA' music styles varies from Pop, Urban and RnB to EDM, Trap Based in LA, they produce all styles of music for many different artists from all over the world

Remote Mixing & Editing - Will DuPerier
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I mix. I edit. I do just about anything.

R&B | Trapsoul | Soul - Smuve Tracks

Quality Music for Quality Artists!

Recording, Mixing, Mastering - Roberto Rettura

Roberto Rettura is a sound engineer specialized in recording/mixing/mastering. His clients are Maurizio Minardi, Calibro 35, 19'40", iBerlino, Cadori, IOSONOUNCANE, Baustelle and many others. He has a long-lived experience in the world of live sound design for performances and installations, which help him to feel the request of the artists.

Bachelor on Mixing&Mastering  - Zeï production

My inspirations are in the desire to act and make daily efforts that will make it possible to up your musical productions in order to reach their full potential.

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Mix & Mastering Engineer  - Dirty Lock Audio

Audio Engineer and Professional Music Producer. University diploma in audio Engineering and music production with specialization in Music Composition [btec] obtained at "Accademia del Suono", Milan Italy

Session Bass Player - George Gazis

I am a professional bass player and bass tutor based in Athens, Greece. I had the pleasure to work with many bands and artists for over 15 years on a lot of genres, but my main thing is rock and metal.

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