Mixing & Mastering Engineers, Producers & Songwriters who worked with Lofty's Zzebra

Love playing for the song and coming in with different drum grooves and sounds. When I recorded the song Alive Again from Trey Anastasio by just adding the cowbell with the groove it put the extra funk and swing in it. Or coming in with the beats for the Trey songs songs First Tube, Sand, Gotta Jibbo,Drifting. Love the funky rock grooves.

My name is Hanna. I graduated Saint-Petersburg University of Humanities and Social Sciences as a music producer and sound engineer. I have already worked in audio industry for more than 7 years.

a deep voice for your soul

As one of the leading producers and mixers in Israel, Ran can produce or mix any type of track that you need. He works with top Israeli artists while at the same time producing music for films and TV commercials through his company, the Sound Makers Productions.

I'm an RIAA Cert. Gold / Multi Grammy Nominated Mixing and Mastering Engineer with Billboard 200, Billboard Rap, Billboard Rock, and Billboard Reggae chart history! I specialize in Pop, Rap, and EDM! I also love working in other genres! I offer both digital and analog options for mixing and mastering! Los Angeles, CA

As a classically trained musician and singer, vocals are my specialty and I tune, edit, comp and mix them to perfection using the ear training I honed on violin and engineering in studios in Hollywood. With decades of experience, I know how to make your music sound like it belongs with the top tracks on the radio today.

I produce under the name "Bloom Line". I am a Berklee alumni with a major in Music Production & Engineering. Releases on Lowly, Trap Nation, Revealed, Island, Future Generation. Over 6 million streams on Spotify.

Concubine Audio is a hybrid audio suite located in Los Angeles, CA. Specializing in audio mixing/mastering and production, Concubine Audio is tailored to meet the needs of most audio-forward projects. We're here to get the sounds you create to become the sound you envision.

Are you dedicating more time to others' music than your own? Do you have unfinished songs lacking a verse or a bridge? These are not just incomplete—they represent untapped potential.