Mixing & Mastering Engineers who worked with Lacrimosa (Cello)

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Photo of Ulrich KAON Fischer
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I'm a singer/songwriter/producer from Berlin - genre: art pop, inspired by Eighties pop/wave classics like Depeche Mode, Propaganda, Frankie goes to Hollywood and classical music (I play the cello as well).

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Photo of Death Beach
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Make your art heard and felt. If you are wondering how to make an impact on new fans and engage new listeners, send me a message through the contact button. Better music and better mixes will make you shine.

Photo of Mattilo

Hello, my name is Matthew. I am a 15 year old music producer. Edm/House oriented.

Photo of Akia Uwanda
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My Passion is Your Pleasure. I’m here to make your music project Conquer Your Vision it intended to achieve. I’ve sung at Super Bowl Live 51 in Houston, sung the National Anthem for an NFL team, opened up for Earth, Wind and Fire, sung at several Jazz And Music Festivals and have an album in the Jazz/Soul category. Tv/Film projects is a goal. Holla

Photo of Guerrilla Factory
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We've been doing it since we were kids and we're gonna keep doing it as sure as the earth turns.

Photo of iFM
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I am here to help you with anything audio and creative. I can write verses and songs, produce beats and or collaborate to help enhance your beats. I am also a Mixing and Mastering Engineer.

Photo of Seattle Houseboat Studio

Record in Seattle's most unique studio. I specialize in working with songwriters and bands and use Nashville-style recording techniques to produce great results in minimal time. My floating oasis is the perfect environment for recording everything from demos to commercial releases.

Photo of Jon Wisecarver
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A wide range of influences brings a lot of diversity and originality to my approach in the studio.

Photo of XZ
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I've been producing music since age 14, writing songs and producing professionally since 17. I've written and produced songs for artists like Grammy-Award winning Chris Brown, Estelle, Wale, Lil Uzi Vert, Citizen Cope, Tiara Thomas, Jesse Boykins III, and many more. .

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