Mixing & Mastering Engineers, Producers & Songwriters who worked with L & X Music

To be Grammy Nominated Writer/Producer/Engineer for the likes of SZA DRAKE WEEKND and beyond the stars allow me to help Craft your vision to life.

I have been recording, mixing and producing music for over 25 years. I draw on this experience to keep growing as a producer and engineer to deliver a tailored and quality service.

Check out my LinkedIn here: https://www.linkedin.com/pub/ryan-spector/24/824/236

SoundOff Studios are a new music production project based just outside Leeds City Centre, offering affordable, high-quality recording, mixing and mastering. We can cater to all genres and styles, and specialise in offering a down to earth, relaxed experience from start to finish with advice and assistance on hand throughout.

I am a music producer and DJ based in Atlanta, Georgia. I have produced records for various artists, including Lil Durk, Lil Uzi Vert, Loso Loaded, Paper Lovee, and Killuminati. My goal is to provide you with a quality product that is tailored to your exact musical needs. Turnaround time is typically 2-4 business days. Inbox me for more info!

I click buttons 👨🏾‍💻 and slap keys 🎹 for Christian Rap and R&B Artists.

I am a producer, vocal engineer, and mixing & mastering Engineer. I also do electric guitar studio sessions. I mostly work with Hip-Hop, Rap, Soul, and acoustic singer / songwiriter artists (Jonah Baker, Clyde Cyrus, and Samuel Harness to name a few.)

As a classically trained musician and singer, vocals are my specialty and I tune, edit, comp and mix them to perfection using the ear training I honed on violin and engineering in studios in Hollywood. With decades of experience, I know how to make your music sound like it belongs with the top tracks on the radio today.

I'm a 27 year old mixing engineer looking to gain experience mixing work of others instead of only my own. I specialize in Hip-Hop and Trap. I like to create a mix the client is happy with. Meaning, I would like to know the vision behind the project, which sound the client likes, and then, get as close to that as possible.