Mixing & Mastering Engineers, Producers & Songwriters who worked with Karen Hart

Session Guitarist & Editor - Donovan W
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Striking, unique, hook-driven guitar parts to fit exactly what your song needs!

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MUSIC PRODUCER - KRIS KAOP
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I PRODUCE CHILL, FUTURE BASS, AND TRAP, POP

Mixing/Mastering/Reamping - CDB Studios
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Hi i am Caden from CDB Studios. I offer extremley high quality Mixing/Mastering/Reamping/Guest solos and Drum Programming as well as other MIDI Instrument Programming, for a GREAT price!

Session Guitar/Bass - Sam Weaver
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I deliver bold, creative, and excellent tracks.

Songwriter, Singer, Guitarist - Oatee
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16 year old, People of Color Conference Soloist (7,000 people), A Capella ensemble member (Encore- look us up on Spotify)

Mix&Master Classical, Jazz + - Murat Colak
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Cutting-edge sonics for cutting-edge music! I specialize in mastering, mixing, and recording contemporary classical, orchestral, jazz, cinematic, experimental and electronic music. I work with a state-of-the-art hybrid set-up out of New York City.

Songwriter, topliner, vocalist - Nellie Mar
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Writing raw, authentic, and heart-felt music in EDM/pop was what got signed singer-songwriter, Nellie Mar a publishing deal at Ultra Publishing. Her recent Noah Davis cuts “Suga Daddy” & "Playground" garnered 3M+ streams on Spotify and charted at #36 on iTunes. Her notable co-writes include major label artists Alexander 23, Kiesza & Leyla Blue.

Remote mixing and mastering - Santiago Liñares
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Recording, Mixing and Mastering Engineer with credits in more than 200 productions. Focused on giving every artists a unique experience in the production of their record, attending to every need and feedback. Credits on: Latin Vox Machine, Tomas Mandel, Santiago Molina, Pash, Edwin Hosomel, and more.

Remote Rock Mixing - Jorge DaLapa
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An independent mixing engineer who grew listening to Rock and figuring how everything, well, mix! Being from the sound for Cinema, I like to have aesthetic/narrative contexts very clear when I mix: nothing worse than hearing a song where you know when each instrument should talk and that instrument is buried into the mix.

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