Mixing & Mastering Engineers, Producers & Songwriters who worked with Jason Wahto

Session drummer/percussionist - Dylan Scott Mandel
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I play drums for artists such as Slow Salvation, The Lives of Famous Men, Tape Deck Mountain, Arlo Indigo, I Could Live in Hope, Julie Mazz, Paper Teeth, Doug Bleek, Ryan Manchester, The Suns, EOS, PALS, Paul Jacks, Harvey Eyeballs, and many more. You could be next.

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Mix Engineer & Producer - Russ Long
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Russ Long is multi-platinum mixing engineer and producer who has been making music for over twenty years.

Mixing Engineer - Julian Blanco
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I take where you left off and finish it! Inspiring and modern sound with analog depth. Mix within the week. Production depends on what needs to be done. Daily feedback. Can adapt to budget within reason. Genre fluid. Looking for great artists to work with!

Remote Audio Mixer and Editor - Mikala Mayer

I am an Audio Engineer. I can edit audio books, podcasts, and radio shows and commercials. I also love mixing music. I specialize in Christian, Bluegrass, Country, Singer/Songwriter,Jazz, Rock, and Instrumental.

Editing, Mixing & Mastering - Stam Studio

Heavy, thrash, black, doom, death...these words make my face smile. I will open a 110% potential from your music. You have songs to mix? I will be happy to make the best sound. Metal genre preferred.

mixagem x masterização  - kelvin mix

Emoção em suas musicas, de o calor e a dinamica que sua musica pede!

Record Label - DyMM P&M
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DyMM P&M is a record label founded by Dy Moob with a headquarters in London and a branch in Portugal.

Session Studio Drummer - Kuba Kinsner
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I'm a professional session drummer. My natural music environment is soul, reggae, hiphop, funk, r'n'b and soft pop. I own lots of classic vintage and modern drum sets, snare drums and cymbals, so I can fit my sound into variety kind of music. I have my own recording studio and professional recording gear.

Producer/Music Creative - Ark
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I've played in bands before and have a higher knowledge on music theory and how a song should sound.

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