Mixing & Mastering Engineers, Producers & Songwriters who worked with Jameson by Alyssa Newton

Hi, I'm Liv! I'm a professional singer and songwriter, with over half-a-million cumulative streams on streaming services, from projects I've worked on. I graduated magna cum laude from the highly-accredited Songwriting Program at Belmont University.

German independend electronic music producer and sound engineer based in Berlin. My skills as a producer are in constant demand. I've produced for Cocoon, Exploited, Gigolo, Incase, Katermukke, Mdnght Riot, Paper Recordings, Snork Ent., Suara, Third Ear and many more.

I've been producing and engineering since 2007 and professionally since 2014. Have worked on multiple successful records across genres. Whatever you're looking for engineering or production wise I can get the job done quickly, affordably and most importantly done right.

Graduate of an Audio Engineering school in Vancouver. Spent the time learning the tools for mixing/mastering with lots of practice. Looking to start building a good client base

Over 30 years in business, producing all kind of dance music. Currently searching for new singers to provide vocals for my future releases.

I produce an eclectic blend of indie electronic, indie-pop, synth-pop, downtempo, fusion, and trip-hop music.

Grammy-nominated songwriter/producer duo who have worked with Bankrol Hayden, Dubvision, Maia Wright, Matisse Sadko, Nova Miller, Girli, Ofenbach, Christopher, Hon, Jacob Sartorius and more, we're multi-instrumentalists focusing on vocals, piano, and bass. We are working with every major as Universal music, Warner Music, And Sony Music.

DJ, Platinum Music Producer, Mix & Mastering engineer. Collected over 80 Million plays on all platforms and releases on Size Records, Spinnin' Records and Black Hole Recordings.

We place the highest value on achieving the best results for our clients, which is why we only use professional high-end equipment. Our control/mastering room has been measured by MB Akustik in Osnabrück and meets the guidelines set by the European Broadcast Union EBU 3276.