Mixing & Mastering Engineers, Producers & Songwriters who worked with Ian Yates

Mix engineer (both STEREO and DOLBY ATMOS) based in Eastbourne on Englands south coast, with over 30 years experience. ​ Clients include Snow Patrol, Matt Redman, Bethel Music, Josh Baldwin, Martin Smith, Delirious, Kathryn Williams, and major industry firms such as Polydor, Capitol Records, Disney, Taylor guitars and Universal Music Group.

I am an accomplished FOH and Systems Engineer with additional experience in In-Ear Monitor Engineering, Tour Management and Production Management. I have over 15 years on the road experience, touring world wide.

With nearly 10 years of experience between live sound and studio recording, I still tackle each project differently and as an individual. Having mixed a variety of genres from rock, metal, hip hop, electronic, funk, American folk music. European folk Music (German, Hungarian, Greek, Russian), to Latin music, I always look forward to any project

Professional keyboardist with a creative mind. Happy to help you make your music better.

Singer, songwriter & artist with 25+ years of experience delivering sync-ready pop, electro pop, alt pop, electronic, KPOP, ballads & soul-infused tracks. I bring professional vocals, sharp toplines & heartfelt lyrics with fast turnaround, strong work ethic, and good vibes only. Passionate, reliable, edgy & fun —let’s create something that sticks!

Loud and with attitude! Top-shelf bass playing that adds something special to your song.

I am a very experienced audio engineer, I have had the pleasure of working with artists of great weight in the industry and with many records mixed by me. Credits: KRS-One, ToteKing, Easy S, Falsalarma, MDE Click, Jose Cañal, ...

I'm a producer and engineer with over 10 years of experience. Worked with and released music on Spinnin', Hexagon, Soave, Future House Music and more!

I’m a producer, composer and a passionate musician for every genre (trust me, EVERY genre). In my head, music is a colorful world (btw I can really see colors when I hear single sounds, crazy, huh?). To fullfill an emotional soundscape it’s necessary to separate the sound from the usual genre requirement. And this is where I come in!