Bursz on SoundBetter

Making available all my knowledge, experience and skills to bring your vision to concretion.

Producer, composer, arranger, mix, master.

More than 10 years of experience producing and engineering for a large array of artists, composing for movies, series and performance pieces, and also of course my own material. Vast experience as a live act solving all kinds of performing formats

Based In BA, Argentina, owner of a very well equipped studio and part of a production team that can comply with the highest standards of any stage of the production process. Arrangement, performance and live recording of drums, acoustic piano, electric and acoustic guitars, electric bass and all kinds of analogue synths.

latest work playlist:
https://open.spotify.com/playlist/7rHJEAmQda5jtmYzLVpuim?si=aa8276e869f6474d

Contact me through the green button above and let's get to work.

5 Reviews

Endorse Bursz

by Bruno Lipsich Binstock
I've been working with Pablo for 2 years now, in a number of productions and mixing. One of THE BEST. Pablo is a very pleasent person to work with, but much better are the results. His sound design and mixing capacities are OUT OF THIS WORLD. Would recommend Pablo to everybody!!
by Julia Consolo
Great musician, great producer and a great person. I'm currently producing my EP with him and I must say the results exceed all expectations. He has a lot of musical sensitivity and masters production, mixing and mastering. I highly recommend having the experience of working with him.
by fernan
Pablo is a great producer and mixer. I hired him countless times to help me produce/mix my songs and always the results were much better than even i expected. 100% recomend
by Ingrid
Pablo was an amazing producer to work with. He understood exactly what I was trying to accomplish from the first mix and the workflow was very professional. I would totally recommend him.
by GUSTAVO CROPANISE
I have been working with Pablo for several years. With him, I have found a leap in quality for my music. We produce, mix and master at his studio where the space and equipment generate a definition of audio that I have rarely experienced elsewhere.
Pablo is a producer who interprets very well what the song needs to reach its exponential maximum.
He has definitely become a great musical partner for me.

Interview with Bursz

Q: Which artist would you like to work with and why?
A: Thom Yorke, no other songwriter provokes on me such a emotional response
Q: Can you share one music production tip?
A: Listen.
Q: What type of music do you usually work on?
A: Electronic, Pop, Rock, soundtracks
Q: What's your strongest skill?
A: Communication, Harmonic arrangement, Mixing.
Q: Tell us about your studio setup.
A: Neumann 310, RME fireface UC, UAD plugins, Ableton live, Macbook M1, Elektron analog four, octatrack, Digitakt, Digitone, Prophet 12, Moog subharmonicon, Moog Mavis, midi controllers. Upright Piano. Fender HotRod guitar amp.
Q: What other musicians or music production professionals inspire you?
A: Radiohead, Bjork, Nigel Godrich, Aphex Twin. Weval Shostakovich, Stravinsky, Scriabin, Bill Evans, Steve Reich, Aaron Copland.
Q: Describe the most common type of work you do for your clients.
A: Most commonly I work on production, so we usually start of with a demo. If the client is new the first thing I do is try to get to know them, so we'll probably share some music and try to get a feeling of what they like, what they grew up listening to, what moves them. So I can get a sense of what they are trying to achieve and also start to build a common language that can indicate the way to go. I'll analyse what we have, harmonically, structurally and I'll probably make some kind of suggestion in regards of those very fundamental aspects before even recording anything. I always learn the song, play it on the piano, if the client is with me we can play together. Performing can have a profound and powerful effect. If there was any doubt it may very well dissipate with performing Then when can start recording some stuff. I will usually start with the beat (if its a song that needs one) and with that and a basic harmonic component i'll try to lay out the structure of the song. At this stage there's many possible ramifications of the process. Maybe we need to hear a vocal reference. Maybe there's some structure changes that need to be done. Surely there will be sound design involved. I'll try to discover what's inspiring for both of us and go that way. Surely we'll listen to some good music in the midst of it all. At some point the song reveals itself and we'll find something that's unquestionable -somewhat like the soul of the composition- When we do find this all the decisions can lean on this idea like a cornerstone. The structure, the sound design, the instrumentation, the harmonic rhythm, the beat, can be all relatively modified to make this thing we have found grow to its maximum expression. And this process will in turn make the composition in its entirety grow to its maximum expression by knowingly directing its energy towards it.