Mixing & Mastering Engineers, Producers & Songwriters who worked with General Crush

Virtuosic String Production - Rogue Violin
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Virtuosic String Production. Authentic, organic, orchestral-quality sound—crafted remotely with real strings to elevate emotional impact for creators, storytellers, and innovators. Experience highlights: Multi-million streams, SunDance 2025 Festival, Carnegie Hall

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Mixing, Mastering, Recording - Backyard Studios

Chart approved mix engineer since 1995, working out of his own Rupert Neve 5088 - Pro Tools hybrid studio. Main Studio Business: Music Production (Recording,Editing,Mixing,Mastering,Producing) Further Studio Business: Speech Recording, Vocal Production, Audio Books. Other Business: Live FOH-Sound, International Tourmanagement

session drummer - Lucio cheli
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i recording acoustic drums for your project

Music Producer - SonicJoy
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Music Producer, touring musician in Dangerkids, and singer/songwriter in Birdshield.

Bassman & Producer - Bass N Beat
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Mix, Mastering & Bass n Beat…

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Mixing and Mastering - Nick Masson
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Mixing $150 | Mastering $30 | Unlimited Revisions My goal is to get the very best out of your music. Making sure it connects not only with you, but with your audience.

Session Woodwinds/Composer - Nathaniel Edison
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Established woodwinds performer, storyteller, composer, and Cirque du Soleil artist. Experienced and proficient on all orchestral woodwinds. Resumé includes Cirque du Soleil, Summer Rep. Theater Festival, Boston Chamber Orchestra, independent work for filmscore composers, and numerous others.

Mastering - Emilio Pozzolini

Mastering for Electronic, Ambient, Neo Classical and Contemporary music. Stereo and STEM Mastering available.

Session Guitarist (Pop/Jazz) - Claudio Consoli
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Your song comes first. I’m a professional session guitarist focused on musical, song-driven parts. From subtle textures to expressive leads, I bring tone, groove and taste to pop, funk, neo-soul and jazz productions. Fast turnaround, clear communication and recordings that elevate your track.

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