Mixing & Mastering Engineers, Producers & Songwriters who worked with Fuzzy Thrills

Writer | Producer | Musician - Tom Libertiny
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Writer, Producer, Multi-instrumentalist with over 10 years of experience. Credits include hundreds of released songs.

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Producer, Engineer, Songwriter - Leshain "Sonic" Perro
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I'm a Producer, Engineer, Songwriter, & Singer with 15+ years of Experience in Pro Tools, Logic, Reason, FL Studio, "you name it". I've worked on all types of genre's of music. I work on Pro Tools 10. I mix tracks in the box with plugins (UAD,McDSP,Steven Slate,Waves & others). I work on music,dubbing,voice over,post production mixes.

Music Producer, Remote Mixing - Giacomo Uber
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Producer/Writer from "Out Of Sound" and for Universal Music Germany, Warner Music Germany, Armada Music, disco:wax (Sony Music Denmark), IHU Music Group.

Audio Engineer & Musician - Cory Harbak
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Mixing and mastering services, session instrumentation, music composition, sound design, and most other audio services for use in your projects. An established name in the video game music community (by the alias DemonStray), known for work on Tribute Album 64 and more.

Record, Mix, Master  - NikoChillemProductionServices
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Our focus at Niko Chillem Production Services is to help you create a premier finished product that can be marketed to a wide array of demographics and to precise target audiences...

On Demand Recording Studio - Skylit Sound

Skylit Sound is a studio designed from the ground up to be a professional live drum room and tracking facility.

Remote Mixing & Mastering - Marcelo Mascetti
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Recording & Mixing Engineer. From the beginning of 2000 till today I've been working in various recording projects with some of bellow artists: Marky Ramone, The Wailers, Nonpalidece, La Mississippi, Juanse, Las Diferencias (Carlos Gardel Award winner at 2017), Massacre, Flema, Rondamon, Alejandro Lerner, Carajo, Los Tipitos, and many others.

Mixing - Ben Ward

A calculated mix engineer who values the brief, revealing your intention in your recordings.

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