Mixing & Mastering Engineers, Producers & Songwriters who worked with Erik Anders
American record producer offering mix- master services
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Vinyldubs.com it's a little cutting room focused on the "short run" of plastic vinyl cuts, and usually do other "dubbing" practices.
Jonathan Hernandez is a Remote-Engineer that specializes in audio mixing and mastering in pop, acoustic, and hip hop music.
1.9 Billion streams and counting!!! Unlimited FREE revisions. I love working with unsigned artists and helping them achieve a sound quality that can compete with the major labels at a reduced cost. I’m a 20-year veteran RIAA certified Platinum & Gold engineer with credits in multiple genres. Let’s work!
Having worked in studios from Nashville to LA, I have the experience and know how to take your tracks from good to great. I strive for professional quality, radio-ready mixes and I would love to work on your record!
I am a versatile vocalist with the ability to arrange for and perform in pop, jazz, rock, and big band settings.
"Stomp your Feet" - Production Mix & Master "Sweet" Production Mix & Master
Budget Mastering. My mastered tracks featured on Spotify Editorial Playlists, and has generated over 650K streams so far across Spotify, Apple, Soundcloud, Pandora, Youtube, and all platforms.
Professional guitar tracks for your songs, rock, pop, metal, country, you name it! I'm part of the local DMV music scene with my band Renocera and I'm here to help you push boundaries in your songwriting, or just record your guitar track, or just mix your song, or just produce it... you know what, you tell me what you want me to do and I'll do it!
Recent Successes
"Excellent job with even better attitude, nice person to work with!"
"Great mastering as usual!"
"Fantastic experience working with Ziv! A real pro with great skill and a great sound. Super easy to work with as well! "
"Santiago absolutely nailed it! I was looking for a very specific feel and tone for my track, and he delivered exactly what I had in mind, and more. His timing, groove, and sensitivity to the dynamics of the song were ..."