Electric Guitar in Faro
Multiple Grammy winning guitarist, arranger, and member of Snarky Puppy. I specialize in mixing genres; I studied jazz and funk, but I grew up on rock. I'm into punk, hip-hop, country, mariachi--you name it I've done the deep listening and I love to recreate different sounds. I also arrange for string sections, string quartet, and horns.
I've worked w/ many artists from Warner, Columbia, Sony, Universal etc. Bands w/ members of Dashboard Confessional, Avett Bros, Nappy Roots. Guitar is my passion. It is my personal goal to serve your project by using great tone, experience, creativity, and state of the art equipment. I can’t wait to make music with you
My goal is to serve the song at its best, listening it from different points of view and ensuring a unique, complete approach without ego. I work both with Major Artists and Rising Talents worldwide with the same level of passion and care for the song.
Creator of guitar-laden hits including Travis Scott’s YOSEMITE and the acoustic driven Don’t Check On Me by Chris Brown and Justin Bieber. Credits include Lil Baby, Lil Wayne, Juice Wrld, Diplo and many more.
Very expressive with a great guitar tone.
Mixing Engineer, Session Guitarist and Producer always willing to go the extra mile, deliver great results and elevate your music!
Guitarist and Keyboardist for over 20 years, with Hofa College Audio Engineering Diploma
Sound Technician with live and studio experience. Before starting as a technician, worked as a musician and composer on several projects over the years. Have a label, Talking Cure Records, in partnership with the produtction studio Pa:z.
I can write lyrics and record vocals and guitars for your project.
Peyoti is a producer & international artist. Notably, as a producer his music has been featured on Netflix and aired on the BBC - as a performer he's performed across 5 continents and supported Manu Chao amongst others. A multi-instrumentalist, he composes in different styles, although best known for his vibrant, 'world-beats' sound.
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