Mixing & Mastering Engineers, Producers & Songwriters who worked with Dycide

Mastering engineer  - Brice Deloose

Industry standard audio mastering specialised in electronic music (techno, bass music, ambient, house). Worked for Sebastian Mullaert, Ness, Polygonia, Amare, Theo Gee, Dycide, Torc (Underdog Music School), MacGray, Linear Straight, Fabrice Lig, Leese,...

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Vocalist for Film Soundtrack  - ÄLLIE
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Vocal Sound Effect for Films & Video Games

Singer, Songwriter, Producer - Thomas Barquee
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Over 220 Million Spotify plays (Jan/2023) as SINGER, SONGWRITER, and PRODUCER.

Demo Production & Ear Candy - Reuben Walton Music
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I specialize in pop demo track production for artists and songwriters and can turn your song into a presentable demo you can take anywhere!

Producer, Engineer, Mixer - Charlie Scovill
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Over the past four years Charlie Scovill has worked with over 300 different artists. With an inviting and well-equipped studio space, Charlie specializes in producing records and helping you bring out the very best in yourself. •charliescovill.com • @charliescovill • @studiokingswell

Tracking and & Mixing Engineer - Turbo the Mixing Engieer
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My nickname has been Turbo since the first day of college, but it’s just stuck since I started engineering. Was taught by Chris Brown’s current tracking & Mixing Engineer/Producer. Mainly worked Freelance in Los Angeles at some of the biggest name studios like Paramount and Clear Lake. Can help in any way possible.

Producer Songwriter Mixer - Ian Green
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3 x Grammy Nominated, 50,000,000 streams,Multi Platinum Producer ,Mixing and Mastering Engineer Clients include Michael Jackson,Madonna,Justin Timberlake, Sting, Paul Oakenfold,The Matrix Reloaded

music and filmmaking producer - Contrapulso
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Mastering engineer  - Brice Deloose

Industry standard audio mastering specialised in electronic music (techno, bass music, ambient, house). Worked for Sebastian Mullaert, Ness, Polygonia, Amare, Theo Gee, Dycide, Torc (Underdog Music School), MacGray, Linear Straight, Fabrice Lig, Leese,...

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