Mixing & Mastering Engineers, Producers & Songwriters who worked with Dozey
Auckland music producer/audio engineer #1 New Zealand iTunes album on a $60 microphone (2021), 1M+ streams on a single (2023), #33 Canadian Charts (2023), 4-weeks charting NZ top 40 album (2024). But... accolades don't matter! What matters is that I care about bringing your vision to life as best as I can.
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Over 3 million streams worldwide. Producer/Mixer/Singer
Versatile, Pro Session Vocalist and Top Line Writer. Over 15 years of experience working for an array of Artists, Bands, Songwriters and Producers all over the UK, France, Dubai and Israel. Features include sessions for Grammy-nominated composer Sarah Class and currently singing live backing vocals for Eban Brown (The Stylistics).
Ghost producer, mixing and mastering engineer. 20 years experience
Productor y compositor, trabajo para Fangodelicos ( 2 discos , + un ep fusionando , funk , latino , rock , hip hop y mas ) 2 discos como solitario con Jxfango y musica instrumental .Me gusta usar instrumentacion diferente de otras regiones y siempre adaptandome a lo que el musico necesita)
Baby Sami
Recording and Mixing engineer specializing in heavy - aggressive tones / Rock / Metal / Punk / Hardcore / Post-Punk
When u searching the sound, first thing is looking ur mind.
Clean, Crispy, Punchy mixes Guaranteed
Recent Successes
"It was my second time I worked with Charlene and the results are incredible. Her professionality and dedication are unique, and the results speaks for their own. Do not hesitate, she is THE BEST choice if you wan..."
Alex P."Timo provided an honest and professional feedback to my last track, by pointing out what I need to improve to increase the quality of my music. I also recommend him. Thank you."
Rocco R."Very good at his art!"
Axel S."Taylor Franklyn is a very talented, creative, patient and incredible producer! I have worked on a few projects with him now and he always brings to the table exactly what I am needing for each track. Looking forward t..."
Cimmone F.
