Mixing & Mastering Engineers, Producers & Songwriters who worked with Don't Suck

Compose/Producer/Songwriter - Alexander Julius Wright
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I create professional, radio-ready productions with live instrumentation, rich arrangements, and mixes that stand out.

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Recording, Mixing & Mastering - Noise Foundry Productions
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Hi! Here at Noise Foundry we record, edit, mix and master bands and artists. We specialise in Rock, Metal and Alternative music production. We have been making records for over 10 years now, and have worked with bands from all over Europe, the US, Canada and South America.

Arranging, Strings - BackBrain Music

You've got the inspiration and ideas for something great -- let me bring your music to life!

Songwriter & Topliner - Storii
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Songwriter signed to Hallwood Media & Livelihood Publishing

Session Bassist - Charles Bioul

Bassist for over 12 years, graduated in music performance at ICMP, I can play bass for your tracks! Thanks to the broad variety of genres I played, I understand the different roles a bassist has to fulfil in music. Extremely passionate, I'm not afraid to put in hours in order to achieve the perfect result.

Mixer, Vocal Tuner, Producer - Claire Cassady
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Vocal Tuning and mix engineer specializing in Folk/Pop/Rock

Music Producer/Mixing Engineer - MixedByRoc
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Are you ready to take your music to the next level? Look no further! I am a seasoned Mixing Engineer and Music Producer with an impressive track record that includes collaborating with top-tier artists such as Quavo, Chiseko, Cousin Stizz, and many more. With over 14 million streams globally.

Singer - Top liner - Producer - SABA

Music Producer and Topliner Extraordinaire I am a professional vocalist and songwriter with several years experience in writing, performing and recording lead and backing vocals & top lines.

Mixing & mastering - satn
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I help independent artists get clarity, depth and impact without losing the identity of their sound. I work mainly with electronic and alternative music, focusing on clean low-end, controlled dynamics and mixes that translate well across different systems. My approach is always context-based: I don’t rely on presets, but on careful listening.

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