Mixing & Mastering Engineers, Producers & Songwriters who worked with Dan Lavery
If you need a chickin' pickin', old school country lovin', Southern Soul, Louisiana good ole' boy, who grew up on Texas blues, Buck Owens, Roy Clark, Chet Atkins, Merle Haggard, Waylon Jennings, Johnny Cash, Willie Nelson, with a hefty dose of 60's hippie rock, 70's glam, 80's pop, and 90's alternative, then I'm your man!
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With over 16+ years of experience crossing multiple disciplines from graphics and visual design to music & audio production, I've worked with local talent such as Faith & Bullets, to national brands like PBS, and even international businesses like Creative Labs SoundBlaster. Whatever your vision, I will bring invaluable experience to the table!
Need a hot record for the low just message and i gotchu!!!
Whether it's composing or arranging for horns or strings as well as recording saxophones, clarinets, and flutes, Michael Squillace will add a layer to your music that moves the listener and rivals any of his contemporaries. He's played in front of thousands and recorded in some of the best studios that the US has to offer.
From Tokyo's fantastical futurism & New York City's gritty art-music scene, llghtchlld's music is a synesthetic swirl of sound. llghtchlld has worked on Hollywood and indie film soundtracks, including Boots Riley's "Sorry To Bother You" (2018), Russian American (2018) starring FKA Twigs, and Forty Year Old Version(2020) on Netflix
Born to collaborate on great music. 20 years' experience including major labels, a US number 1, a FIFA World Cup theme and a unique global span of musical styles including African, Brazilian and Asian. Grooving rhythm guitar player and soaring soloist, bass and keys/piano player who also loves mixing, sound design and writing tunes.
Vocal Tuning
I work in the electronic, ambient, and pop genres, and I'm always looking to blend the basics with something novel for every track. My influences range from the art-pop of Caroline Polachek and Perfume Genius, to the classic songwriting of Joni Mitchell and Kate Bush, to the future-facing production of A.G. Cook and Oneohtrix Point Never.
Recent Successes
"As for me Mike is a genius, once he caught your vibes, he will just enter your soul and make you vibrate with the way he will mix your music. this guy is just wonderful. Just try him and see, you will definitely agre..."
"Very impressed with the level of professionalism and the priority on turning out great results that guarantee client satisfaction. Very pleasant to work with, friendly and attentive! Would certainly work with Alex Mor..."
"I tried Leo on one song and he definitely came thru. I came back to him for the next song and once again he performed well. Most of all I like his people skills. It is easy to communicate with this man! "
"Good job.Lukas always present for any question or doubt. It was my first experience and I'm happy to work with him"
"Natalie Major delivered recorded vocals, as promised, within the time frame that she said she would. Fantastic voice, excellent recording quality, and an extremely reasonable price. I'm looking forward to working with..."
"Awesome work."
"I've worked with several mix engineers but Sefi really stands out from the crowd and... will make your music better too!"
"Amazing & Super talented .... extremely dedicated :) Thankyou so much "
"I enjoyed working with FraMusic. He takes the project very seriously as if it was his own song. Nothing better than working with someone who you can trust with your project and who will deliver! He is very patient an..."
"What can I say about Mike? He takes his time. But he does it for a reason. He will work with you until you are absolutely happy with your mix/master. I would highly recommend this engineer to anyone. He will take..."
"Great guy, great producer, eager to get the job done and make his clients happy."
"Out of all of the engineers, Wes was an OBVIOUS choice on the result of our single, "Control"!! My voice sounded crystal clear on every speaker we played!! (passed with flying colors) Even the samples we used in..."
