Mixing & Mastering Engineers, Producers & Songwriters who worked with D Iso

I am an independent Artist. Dedicated Singer/Song writer, producer, and story teller. - Alternative & Contemporary RnB, Hip-Hop, Rock - Layering, emotional intelligence, relatability

I'm a guitarist that is at home in the studio and on stage. I currently play for country artist Thomas Rhett. My goal is to provide guitar tracks that help you achieve your creative and professional goals, on-time and within budget.

Sound engineer and guitarist who’s best at mixing and mastering .He also composes and records his own music – instrumental melodic metal varying styles from progressive and ambidjent to metalcore.

For ten years Palm has been dropping quality hits with a discography of almost 30 solid albums & mixtapes. His untouched level of consistency comes with great skill and proficiency.

20+ years producing electronic, pop & rock music. Songwriting & composition. Conservatory trained studio musician (Grade): Classical guitar (10) Piano (8) Cello (6) Violin (3) Accordion (Chromatic), Orff (4) (all four wooden recorders, xylophone, marimba, mellophone, arrangement), hand drums (4,bongos, darabouka, doumbek, castanets)

Can tastefully mix and master remotely for relatively cheap.

Jazz trained musician with a passion for pushing mainstream norms. As a multi-instrumentalist and producer, I have a skillful ear for song composition, lyrics, tone, and sonic energy.

I’ve been producing and writing music for almost 2 decades mainly w/ hip hop artists but I’m expendable into many genres including pop, r&b, rock and more. Production wise I’ve worked with artists such as Kool G Rap, Nature, Reks, Nottz, Max B and many more. As performer & writer I’ve been featured a song with Debbie Gibson.

I make trumpet sound like atmosphere. Foggy creates expressive, improvised trumpet for ambient, cinematic, electronic and jazz productions—melodic when needed, abstract when not. Send me your track, a reference or simply a feeling; I’ll build a part that belongs inside the music, not on top of it.