Mixing & Mastering Engineers, Producers & Songwriters who worked with Collin Nash
Producer, mixing and mastering engineer, composer, live sound technician, multi-instrumentalist, and songwriter with 7 years of professional experience.
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The motto is always 'flashy but classy.' You've got to be original and stand out from the crowd and take some chances. But you've always got to keep it classy.
I've worked as a remixer & producer for both major and independent artists including Whitney Houston, Masters at Work, Damage, Lynden David Hall and many more. I've also remixed music that's appeared on labels including E.M.I, Sony, Motown etc.
I've got you covered for good music production, recording, and mixing. I've got flexible working hours to suite your needs. Contact me for more samples should you need to be convinced I can deliver whats on your heart.
Experienced topliner, songwriter and vocalist in a variety of genres (Pop, Rock, Techno, Folk, R&B) with a special affinity for indie-pop. Love writing catchy, rhymic melodies and compelling lyrics. I tend to go for a softer, breathier vocal style, but can belt up a storm if that's what you need!
Rajvik is an indian DJ/Producer/Vocalist
Your musical idea means more to us than just another completed project! We are honest hard working producers and musicians that want you to succeed.
Filmmaker and Music producer from Paris
Freelance Rock, Indie and Pop Mixing and Mastering, Making music creation fun and affordable!
Recent Successes
"Lee is a brilliant keyboard player!! He added both Wulitzer and the Hammond B3 organ to my track and am so happy with the results. His playing really elevated the song to a new level. On top of his skills as a musicia..."
Mark B."Max was excellent to work with. Timely, creative, and he's a great in-the-pocket acoustic guitar player. Highly suggest! "
Michael A."Very fast an quality work! Absolutely in love with what she has done for my track :)"
Thomas C."Lydia is up for any challenge! This time I gave her a complex pop piece with all the instruments all interacting together…yet still needed to be cohesive with a piano foundation. We should have asked her to play first..."
Paul
