Mixing & Mastering Engineers, Producers & Songwriters who worked with Chris Hines

Mixing Engineer - All Things Analog
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All Things Analog is a premier mixing engineering company that seamlessly connects analog to digital. Quality, communication, and professionalism are the three most important aspects that embody All Things Analog.

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Music Producer - SAMFISH
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I am a creator. I love anything and everything. I don't have enemies - only friends.

Violinist, string arranger - Lizz
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Improvising, Jazz influenced violinist. Classically trained at the Royal Academy of London. Performed live and in session work for many artists including Richard Hawley, Newton Faulkner, Peter Gabriel and Smokey Robinson. I love to create solo violin lines or quartet arrangements for singer songwriters. I can record from home in garageband.

Singer/Writer EDM, Pop, R&B - Lusil
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Mix and Master Engineer - Hojo Sinclair
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I am a mix and mastering engineer with experience with multiple genres. My goal is to make music that competes with radio ready music. I have a unique approach to mixing and mastering, and I offer the entire package for one price. No need to go to one person for a mix and another for a master ever again.

Music Producer , Engineer - DreemerOfficial
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Music loving Philanthropist

 - Heiner Kruse

My music is about ideas and emotions. "The Green Man (TGM)" is my alias, inspired by an ancient figure reminding you not to forget your inner voice (and music by Shut Up & Dance). I love to make music for and with pictures. My music was used for by Arte, BBC, CSI Miami and filmmaker Jan Bonny. As Heiner Kruse I write books, explore tools and teach.

Productor, Ingeniero en mezcla - Jay Rozsan

Soy Jay Rozsan, productor musical bajo el sello de Rimas con más de 10 años de experiencia. He trabajado con artistas como Amenazzy, Flow Mafia, Noriel, Lito Kirino, Martha Heredia, Lyanno, NTG, entre otros.

Bringing sound to life - Kristian Leo

Producing at the intersection where sound and the body meet. I specialize in mixing, mastering and production that prioritizes physical translation — how music lands in the body, not just on meters. My approach focuses on: controlled saturation and harmonic density dynamic movement that breathes low-end and midrange balance that creates ground

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