Mixing & Mastering Engineers, Producers & Songwriters who worked with Avoid Screaming

 - Raúl Rueda

Producer - Mixer - Record Engineer based in Mexico City. Pro Tools HD certified Expert 310M

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High Quality Audio Mastering - High Lab Mastering Studio

We offer a high-end, audiophile spirit processing for your tracks. Using the sharpest technologies available at the moment... PCM / DXD up to 768 khz / 32 bit , DSD 512 and soon 5.1 multichannel Just listen...

Producer, Arranger, Guitarist - Perry Road Studios
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Welcome to Perry Road Studios, professional Recording Studio combining the best of both digital and analogue equipment to provide a professional result for your project. Providing a range of recording & audio post-production Services, CD duplication & artwork.,

Topline, Vocalists,Ambient Duo - SideTripp
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We'd love to topline and/or record vocals for your next project. Think of SideTripp as a sexy, strange, ambient, modern pop duo with edge and soul. Our influences range from Portishead, to Lana del Ray to Sia. We work together as a toplining team and you can choose either of our vocals (or both) to be the vocal on the track.

Keyboardist, Producer - Kurt Thum
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I’ve worked with Justin Bieber, Ariana Grande, Keith Urban, The Jonas Brothers, Meghan Trainor, Teddy Swims, Rachel Platten, Mimi Webb, T-Pain, Benson Boon, Ava Max, Quinn XCII, Michael Bolton, and countless others. I’d love to hear your song and help you take it to the next level, anywhere from adding keys to full production.

Singer, SongWriter - Aj Natives
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I will create you a great song, write,sing and do backup vocals, As i have done with Artist like 2baba idibia (2face)

Songwriter - Speckled Queen

I write pop and rap lyrics. Just starting out in the professional world. Take a chance on me!

beats master - mombasa sounds

strong beats master

Credits:
Mixing & mastering - satn
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I help independent artists get clarity, depth and impact without losing the identity of their sound. I work mainly with electronic and alternative music, focusing on clean low-end, controlled dynamics and mixes that translate well across different systems. My approach is always context-based: I don’t rely on presets, but on careful listening.

Recent Successes

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