Mixing & Mastering Engineers, Producers & Songwriters who worked with Alejandro Cruz

Mixing/Recording/Producer - David.H Mixing
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Produce memorable music - Prodbear

I write, sing and produce my own brand of pop fused with hip hop and historical influences from the UK's unique music scene. 9 of the songs I've written have been aired on BBC Radio. More importantly though, I'm reliable and fun to work with!

Producer, Song writer, Mixing - Ryan

UK based producer and song writer Tracks I've produced have been played and featured on BBC Introducing and Capitial FM's VodaFone Big Top 40 Future Breakers

Music Producer // Beatmaker - Barrell Oved
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Berlin-based Producer, Mixer and Pianist/Keyboardist well-seasoned in neo-soul and hip-hop productions.

session fiddle player - Chris Haigh
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I'm a professional fiddle player with 30 years touring and recording experience, and over 100 album credits. I've worked with Bob Geldof, Alison Moyet, All about Eve, Michael Ball, David Soul, James Galway, Oumou Sangari, Najma Akhtar, The Quireboys and Boris Grebenchikov. I played on the debut single by Steps. "5,6,7,8"

Mix and Mas Engineer - Matheus Arêas
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Mixing and Mastering here in Brazil professionally since 2017 (studing and "hobbing" since 2012). Participated in a Akademia Music Awards winning album, in 2018, as Recording Engineering, Mix and Master.

Producer/Composer/Mix Engineer - Lasse Mosegard
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I am Lasse Mosegard aka Illinton, an experienced producer, composer, musician, and mix engineer based in Barcelona. Throughout 30 years of my career, I have worked in a wide range of musical genres, including Ambient, Meditation, Chill-Out, Electronica, Organic House, Ecstatic Dance and Film Scores as well as Acoustic Singer-Songwriter.

Music Producer, Composer - Mike Mac

EXTREMELY fast and hard working music producer and composer. I respond quickly and can get a job done professionally and promptly. I work in all genre's of music proficiently.

Session guitarist  - Adam Wolfaardt

I believe great guitar tracks start with the player, the instrument, and the amp. I record real amplifiers with microphones and focus on creating parts that serve the song rather than showcasing technology. My goal is to capture a guitar sound that already feels like a record before the microphone signal reaches the DAW

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