Aichi Japan Audio Engineers, Producers & Songwriters
🦎 Full-time versatile pop vocalist | 250+ songs 20M streams | BGV 💗 | English & Deutsch | Range: B2-D6
Award-winning Stereo and Dolby Atmos mixing+mastering. Hundreds of millions of streams, top playlist positions in Pop, Indie, and Rock as well as many #1's around the world. Unlimited free revisions on mixes.
2X Grammy-Winning Mastering | Analog Warmth, Modern Power | 6B+ streams
Grammy Award winning engineer (Willie Nelson) with decades of experience as a recording engineer and mixer. TOP CREDITS: Willie Nelson, Dolly Parton, Merle Haggard, Lainey Wilson, Jelly Roll, Liam St. John, Megan Moroney, Cody Johnson, Kenny Rogers. My specialty is audiophile analog mixing & mastering @ The Blueroom Studios.
DJ and beatmaker with a unique sound. Known for covering popular songs like "Tokai" by Taeko Onuki and "I Can't Go for That" by Hall & Oates in reggae disco and lover's rock styles. Has released music on international labels. Featured on popular radio shows and publications, expanding his reach beyond music production.
I have J-Pop vibes and US chart vibes.
Making 'true' POP song, like '70-'80 style. Complete music production with one stop.
Affordable Dolby Atmos mixing available! My credits include the singer Nami Nakagawa (from the anime “Demon Slayer”) ,YOYOKA,Hysteric Panic,Anime Songs and many other artists.
I'm a pro pianist and singer. I perform in hotel lounges, restaurants, concerts, shows, and so on. Actually I play the piano, guitar, bass, drums, in pro-quality. So I can make backing tracks, vocal tracks, all by myself.
Music producer, singer, songwriter English, Japanese languages
Hi, I will mix & master your song for a very cheap price from Japan.
Usui started his career in junior high school. Since then, he has been playing guitar in diverse music genres. In the middle of the 1990s, he started a unique improvisation style that implements the fewest possible guitar effectors. He worked with Elliott Sharp, guitarist and composer, for a recording in New York, 2003
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