Percussionist and Beat Programmer for Taylor Swift, Norah Jones, The Roots, Michael Brecker and Steely Dan providing excellent Percussion and Beats for your Songs/Album.
My name is Daniel and I have been a percussionist and Beat Programmer for 30 years, recording and on the road with Taylor Swift, Jewel, Joe Bonamassa, Steely Dan, Norah Jones, Steven Van Zandt (Little Steven), Bette Midler, Al Green, Steve Martin & Edie Brickell, Maxwell, Coheed & Cambria and many others. I will record perfect percussion tracks for your songs or album. I am also a skilled Programmer and I will deliver you perfectly edited, mixed Music and Beats for you.
Send me a note through the contact button above.
Credits
AllMusic verified credits for Daniel Sadownick- Nigel Kennedy
- The Vision
- John Ellis
- Andy Bragen
- Philippe & Gabriel
- Nicholas Payton
- Nicholas Payton
- Little Steven
- Norah Jones
- Jane Monheit
- Jane Monheit
- Oz Noy
- Brooklyn Funk Essentials
- Natalie Imbruglia
- Coheed and Cambria
- Screaming Headless Torsos
- Screaming Headless Torsos
- Screaming Headless Torsos
- Raul Midón
- Raul Midón
- Raul Midón
- Raul Midón
- Raul Midón
- Raul Midón
- Raul Midón
- Raul Midón
- Raul Midón
- Etienne Charles
- Etienne Charles
- Etienne Charles
- Tomás Doncker
- Tomás Doncker
- Jewel
- Jewel
- Jewel
- Nicholas Payton
- Simphonie Orchester Basel
- Coheed and Cambria
- Coheed and Cambria
- Lael Summer
- Coheed and Cambria
- Maya Azucena
- Maxwell
- Gordon Chambers
- Taylor Swift
- Jacques Schwarz-Bart
- Christine Vaindirlis
- Coheed and Cambria
- Okou
- Al Jarreau
- Fito & Fitipaldis
- Willy Catt
- Willy Catt
- James Silberstein
- Nicholas Payton
- Nicholas Payton
- David Fiuczynski
- David Fiuczynski
- David Fiuczynski
- Al Green
- Tim Warfield
- Tim Warfield
- Tim Warfield
- Alex Sipiagin
- Alex Sipiagin
- Earth Jazz Agents
- Earth Jazz Agents
- Morley
- Morley
- Daniel Sadownick
- Daniel Sadownick
- ism
- Kyra Gaunt
- Morris Robinson
- The Baby Loves Jazz Band
- Marlene Rice
- Gordon Chambers
- Monday Michiru
- Kendra Ross
- Eric Person
- Eric Person
- Eisa Davis
- Eran James
- David Hazeltine
- David Hazeltine
- Nestor Torres
- Nestor Torres
- Kyoto Jazz Massive
- Nigel Kennedy
- Jack DeJohnette
- Ron Carter
- Danny Sadownick
- Lucky Peterson
- Nigel Kennedy
- Jack DeJohnette
- Ron Carter
- Danny Sadownick
- Lucky Peterson
- Nigel Kennedy
- Jack DeJohnette
- Ron Carter
- Danny Sadownick
- Lucky Peterson
- Screaming Headless Torsos
- Screaming Headless Torsos
- Screaming Headless Torsos
- Ayọ
- Ayọ
- Juliette Gréco
- Mark Elf
- Mark Elf
- Jazzhole
- Fito & Fitipaldis
- Pat Martino
- Pat Martino
- Janice Friedman
- Janice Friedman
- Pamela Luss
- Screaming Headless Torsos
- Screaming Headless Torsos
- Screaming Headless Torsos
- Marlon Saunders
- Soulive
- Morley
- Coheed and Cambria
- Coheed and Cambria
- Angie Stone
- Screaming Headless Torsos
- Janita
- Hollins Steele
- Raul Midón
- Raul Midón
- Raul Midón
- Angie Stone
- Sherri Roberts
- Sherri Roberts
- Sonic Trance
- Nicholas Payton
- Sonic Trance
- Nicholas Payton
- Jon Cleary
- Philippe Saisse Acoustique Trio
- Martha Redbone
- Martha Redbone
- Spyro Gyra
- Spyro Gyra
- Leni Stern
- Jonathan Townes
- Jonathan Townes
- Marlon Saunders
- David Fiuczynski
- David Fiuczynski
- David Fiuczynski
- David Fiuczynski
- Nicholas Payton
- Nicholas Payton
- Michael Weiss
- Christian McBride
- Michael Brecker
- Michael Brecker
- Screaming Headless Torsos
- Donald Brown
- Monday Michiru
- Nestor Torres
- Dennis Chambers
- Dennis Chambers
- Frank London
- Ned Otter
- LiveArt
- LiveArt
- Toshi Reagon
- Abenaa
- Abenaa
- Abenaa
- Donald Brown
- Mark Soskin
- Mark Soskin
- David Fiuczynski
- David Fiuczynski
- Syleena Johnson
- Syleena Johnson
- Syleena Johnson
- Syleena Johnson
- Alana Davis
- Dean Brown
- Dean Brown
- Dean Brown
- Incognito
- Incognito
- Screaming Headless Torsos
- Screaming Headless Torsos
- Screaming Headless Torsos
- Screaming Headless Torsos
- Love Seed Mama Jump
- Angie Stone
- Mathilde Santing
- Marty Thomas
- Nestor Torres
- Nestor Torres
- Melvin Rhyne
- George Coleman
- David Fiuczynski
- Khaled
- Khaled
- Screaming Headless Torsos
- Carolyn Leonhart
- Steely Dan
- Steely Dan
- Nelson Rangell
- Meshell Ndegeocello
- Melvin Rhyne
- LaMont Johnson
- Joe Magnarelli
- Maxwell
- David Binney
- From Good Homes
- Nelson Rangell
- David Yazbek
- Yazbek
- Vincent Herring
- Frank London
- Frank London
- Julian Coryell
- David Schumacher
- Nelson Rangell
- Joe Gallant
- David Schumacher
- David Schumacher
- Kevin Hays
- Kevin Hays
- David Yazbek
- Yazbek
- David Yazbek
- Yazbek
- David Yazbek
- Yazbek
- Betty
- Betty
- Betty
- Melvin Rhyne
- Meshell Ndegeocello
- Robert Miller
- The Rake's Progress
- Charles & Eddie
- Dave Stryker
- Denise Jannah
- David Binney
- Screaming Headless Torsos
- Screaming Headless Torsos
- Steve Wilson
- Carl Allen
- Joe Magnarelli
- LaVerne Butler
- Vincent Herring
- Lost Tribe
- Jerry Weldon
- Dewey Redman
- Charles & Eddie
- Donald Brown
- Marla Mase
- Defected Radio
- Noah Haidu
- Rene Lopez
- Gabriel Carámbula
- Glitterbox
- Simon Dunmore
- Seamus Haji
- Gary Foote
- Ryan Shaw
- Sofi Bonde
- Gedeon Luke & the People
- Alan Grubner's Firelight Ensemble
- The City Boys Allstars
- Brady Rymer
- Brady Rymer & the Little Band That Could
- Brady Rymer
- Brady Rymer & the Little Band That Could
- Dean Brown
- S U M
- Lisa Maxwell
- Tomás Doncker
- Bella D
- Ramon Taranco
- Jerry Weldon
108 Reviews - 24 Repeat Clients
Endorse Daniel Sadownick- check_circleVerified
Daniel is an exceptionally creative and versatile percussionist. Fun session.
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I had the absolute pleasure of working with Daniel on my latest track, and I couldn’t be happier with the results.His percussion skills are amazing, adding the perfect groove that my track needed. I highly recommend him!!
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Daniel was super efficient and a pleasure to work with! Would hire again for sure.
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I am thrilled to have worked with Daniel again! I don't know anyone out there with more talent and professionalism. Once again, he took my song to the next level with his thoughtful, sensitive, and groove-driven percussion and drums. Yet it's not just that; it's that Daniel feels the song's DNA and knows how to give it exactly what it needs. All this with a speedy turnaround time and stellar communication. I'm totally looking forward to our next collaboration.
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A true master of his craft, this is the third time hiring Daniel! Will be back for more!
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Another job very well done from Daniel! Just hired him again today!!
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Daniel did it again! Professional, Quick, and Perfect!
Daniel is my "go-to" drummer for my songs.
His drums always add exactly what my songs need.
Thank you!! - check_circleVerified
Another extraordinary job by Daniel.
His ability to capture the spirit of the song, his attention to detail, and his speed at working never cease to amaze me. - check_circleVerified
It was my first time working with Daniel and I couldn't be more satisfied!
The communication has been excellent, he understood the essence of the song immediately and did an extraordinary job in surprising time.
100% recommended. - check_circleVerified
Daniel is the man! Professional, Quick, and Perfect! His drums add exactly what my songs need and lift them to a new height. Thank you!
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Daniel is truly awesome! I can't tell you how BLOWN AWAY I was with with what he came up with for my project! Out of everyone I've worked with on this platform, nobody else has understood the vision of a project as well as he does! It really was like he was reading my mind! I will definitely be using Daniel again in the future, and if your smart, you will too!
- check_circleVerified
second track w daniel, both a fluid and agile player,
uses a wide range of percussion w both depth and atmosphere
highly recommended - check_circleVerified
From concept Through execution of Concept, Daniel is Both Deeply thoughtful and Wizardly rhythmic. He can go from deep thinker to wild man drummer with the best them
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Daniel is a force of nature. Extremely talented, professional, nuanced, friendly, focused, fast, and dedicated to providing the absolute best results for his customers. I'm very excited about the percussion work he did for me and how it took my song to the next level. Can't wait for the next project!
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There are pros, and then there is Daniel. Talk about a great experience! Super fast, amazingly performed and recorded, and the perfect addition to my track. Highly recommended! I will most certainly be back.
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Just knew exactly where to take the percussion in my song. Excellent communication, great craftsman, and a speedy completion. What more can I say except I see further collaboration ahead.
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Beautifully layered and interlocking percussion parts for a challenging tune with shifting tempos and dynamics. You can’t go wrong with Daniel!
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Daniel is amazing! He knew exactly what I needed. He was very professional and responsive to my feedback. I loved being able to describe what I was looking for and trust him to make great choices that brought my track up to that next level. Thanks Daniel!
- check_circleVerified
Daniel is not only a percussion master, he's a groove master! If your contemplating some percussion for your next record, do yourself a favor and hire him, you will not be disappointed. Highly recommend!!
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fantastic stuff, highly recommended
Interview with Daniel Sadownick
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: When I played on Michael Brecker's Grammy Winning album called "Wide Angles". Ever since I was a teen I had been listening to fusion greats like Michael and Billy Cobham, Return To Forever, Weather Report. I must have played Billy Cobham's album "Crosswinds" a thousand times when I was a kid. To hear Michael's beautiful solo on Heather used to make me tear up. And then, twenty years later, with hard work I was able to grace the stage with Mike and to be on this beautiful album alongside Antonio Sanchez, John Patitucci, Gil Goldstein, etc.
Q: What are you working on at the moment?
A: Writing compositions for my next album.
Q: Analog or digital and why?
A: Analog to listen to (such as vinyl, etc.) Digital for recording. So many advancements have been made to make it easier for artists to record and to get their music across by means of many social mediums.
Q: What's your 'promise' to your clients?
A: To provide the best percussion tracks you ever heard. And, to deliver them on time.
Q: What do you like most about your job?
A: I love everything about being a musician and recording artist. The friendships that I have made along the way, the experience of traveling to many countries and experiencing different worlds and cultures.
Q: What questions do customers most commonly ask you? What's your answer?
A: I always ask "Is there is something in particular or, a specific instrument/part that you want me to focus on?" I will get some direction from them but most of the time the artist will say "I trust you."
Q: What's the biggest misconception about what you do?
A: That a percussionist will overplay. I won't do that.
Q: What questions do you ask prospective clients?
A: 1. Which instruments are you thinking of for each song? 2. Do you have a chart or sheet music? 3. What genre does your music resemble the most?
Q: What advice do you have for a customer looking to hire a provider like you?
A: I will put my heart and soul into your project. My resume is indicative of the work that I have provided for these wonderful artists and I look forward to having the honor of adding my percussion to your creations.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My computer, my interface, my pre-amp, my microphones and my headphones.
Q: What was your career path? How long have you been doing this?
A: Ever since I was 5 years old I knew I wanted to be a drummer. Fast forward to Junior High School in the Bronx and at graduation I was awarded the medal for Best Musician. At New York University, where I received my Bachelor's and Master's Degree I also was awarded the honor of Best Musician in my graduating class. I was also awarded the Presser Scholar, a prestigious award. I am proud of the fact that I always was noticed by my professors and peers and that I applied myself in vigorous ways. I am proud to say that a percussionist received these honors instead of the violoins, brass, etc. After graduating I joined Lionel Hampton's band for two years and made numerous and wonderful connections that have led me to be on tour and record with Taylor Swift, Steely Dan, Al Green, Al Jarreau, Norah Jones, Jewel, Beyonce and Maxwell. In the jazz realm, I have been blessed to record with Michael Brecker (Wide Angles), Christian McBride (Vertical Vision), Pat Martino (Tribute To Wes Montgomery), etc.
Q: How would you describe your style?
A: My style is the New York City Style. In other words, being blessed to have grown up in the cultural capital of the world is something that I cherish.So many different genres are played by all of the best NY musicians. They can do anything and everything. I want to follow in those footsteps.
Q: Which artist would you like to work with and why?
A: Santana. Because I have been listening to Santana ever since I was a kid and always admired how he was so ingenious by bringing to the forefront the combination of Pop Music and Latin Music.
Q: Can you share one music production tip?
A: Don't be afraid to experiment. Try unusual mic setups and EQ's.
Q: What type of music do you usually work on?
A: Pop, Rock, Jazz, Latin, World
Q: What's your strongest skill?
A: I believe I possess the power of being able to provide the nastiest groove on a song. So many percussionists overplay and meander away from what the song calls for. I play exactly what is needed for each song and then complement it by putting all of my soul into the part.
Q: What do you bring to a song?
A: I bring passion along with precision. I want to give my client perfectly edited percussion tracks in which my client does not have to edit anything major.
Q: What's your typical work process?
A: I study the song, make notes and map out every Verse, Pre-Chorus, Chorus & Bridge. I then track each instrument according to which timbre will go best with each section. I want to know the song and deliver the best part possible for my client.
Q: Tell us about your studio setup.
A: I have many varieties of Congas, Timbales, Bongos and other percussion instruments. My recording setup is ProTools Version 12, Focusrite Scarlett i818 Interface, Universal Audio Pre-amps. Microphones: SHURE SM7B, AKG, RODE NT1, SHURE SM57
Q: What other musicians or music production professionals inspire you?
A: Ron St. Germain, Bob Powers, Robert Sadin, Bassy Bob Brockman Stevie Wonder, John Coltrane, Beatles, Miles Davis
Q: Describe the most common type of work you do for your clients.
A: Provide percussion tracks of all styles for your songs or album.
I was the Mixing Engineer, Percssionist in this production
- Daniel Sadownick - Lucky Day
- Steely Dan - Two Against Nature
- Daniel Sadownick Steady
- Steven Van Zandt (Little Steven) - Soulfire
- PercussionAverage price - $200 per song
- Songwriter - MusicAverage price - $200 per song
- Beat MakerAverage price - $200 per song
- Mixing EngineerAverage price - $200 per song
1 Revision For Free, Other Revisions are $20 each. You will receive your percussion tracks in 2 days maximum.
- Congas
- Bongos
- Timbales
- Tambourines
- Shakers
- Cowbells
- Various African
- Brazilian & Cuban Percussion
- ProTools 12
- Universal Audio Pre-Amps
- All microphones
- AKG
- SHURE
- RODE
- etc.