Founder of Capiroto Records. Music producer, but in the meantime I help artists have the best audio-quality possible to release their own music. In my studio, I use Push 2, in Ableton Live, plus Waves Plug Ins, my preferred mastering plug ins are Abbey Roads Mastering Chain and the tape simulators, Kramer or J37. I am endorser of Ollo Audio.
I usually work with electronic related genres, but I also like to explore new genres, such as psychedelic rock or more organic recordings. I offer mix and mastering services, but I can also help artists have their music produced and released, specially in digital platforms, with the correct loudness levels in LUFS.
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Interview with LPascolatti
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: All the recent released from Capiroto Records that I helped producing, mastering and even making the cover arts.
Q: What are you working on at the moment?
A: With my label Capiroto Records, with my music blog Synths of Eden and with my own music
Q: Analog or digital and why?
A: The best of both worlds
Q: What's your 'promise' to your clients?
A: That they will have the best product possible
Q: What do you like most about your job?
A: Helping people have their music released on the best way as possible
Q: What questions do customers most commonly ask you? What's your answer?
A: How to have their music released on digital platforms
Q: What's the biggest misconception about what you do?
A: That it's too lo-fi or experimental. But I do it consciously, I like to follow my guts when producing music. But with audio engineering I am very analytical.
Q: What questions do you ask prospective clients?
A: What is your goal with this track? What is the genre, how do you want it to sound like?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Come with something I'd like to listen.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: If it'd be a desert island, then I'd need organic instruments, such as an acoustic guitar, an acoustic bass and some drums. I flute would be nice.
Q: What was your career path? How long have you been doing this?
A: I like to work with music mainly for passion, my main goal is to be an accomplished and successful music producer releasing records, but also as an audio engineer.
Q: How would you describe your style?
A: Experimental, not pop at all.
Q: Which artist would you like to work with and why?
A: Nicolas Jaar, I feel like its the type of music I'd like to make. But I'd also like to work with Thom York or the guys from Mogwai
Q: Can you share one music production tip?
A: Trust your gut feeling, but patience is important
Q: What type of music do you usually work on?
Q: What's your strongest skill?
Q: What do you bring to a song?
A: Synthesizers, drum machines and electric guitars.
Q: What's your typical work process?
A: I like to listen the track several times, checking its spectrum, on my KRK monitors and with my Ollo headphones, I like to explore different types of mix, but I always use a nice mastering chain together with tapes, such as J37 or Kramer.
Q: Tell us about your studio setup.
A: I like to work with Ableton live 10, using my Push 2, together with external plug ins, mainly Abbey Roads plug ins from Waves, they are my favourite.
Q: What other musicians or music production professionals inspire you?
A: Nicolas Jaar, for the originality of his sound design and composition, in modern terms. But I also get a lot of inspiration from records made in the 60s, early 70s and early 90s.
Q: Describe the most common type of work you do for your clients.
A: Mastering, mainly. But I also receive remix requests very often.