Founder of Capiroto Records. Music producer, but in the meantime I help artists have the best audio-quality possible to release their own music. In my studio, I use Push 2, in Ableton Live, plus Waves Plug Ins, my preferred mastering plug ins are Abbey Roads Mastering Chain and the tape simulators, Kramer or J37. I am endorser of Ollo Audio.
I usually work with electronic related genres, but I also like to explore new genres, such as psychedelic rock or more organic recordings. I offer mix and mastering services, but I can also help artists have their music produced and released, specially in digital platforms, with the correct loudness levels in LUFS.
Contact me through the green button above and let's get to work.
Interview with LPascolatti
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: All the recent released from Capiroto Records that I helped producing, mastering and even making the cover arts.
Q: What are you working on at the moment?
A: With my label Capiroto Records, with my music blog Synths of Eden and with my own music
Q: Analog or digital and why?
A: The best of both worlds
Q: What's your 'promise' to your clients?
A: That they will have the best product possible
Q: What do you like most about your job?
A: Helping people have their music released on the best way as possible
Q: What questions do customers most commonly ask you? What's your answer?
A: How to have their music released on digital platforms
Q: What's the biggest misconception about what you do?
A: That it's too lo-fi or experimental. But I do it consciously, I like to follow my guts when producing music. But with audio engineering I am very analytical.
Q: What questions do you ask prospective clients?
A: What is your goal with this track? What is the genre, how do you want it to sound like?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Come with something I'd like to listen.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: If it'd be a desert island, then I'd need organic instruments, such as an acoustic guitar, an acoustic bass and some drums. I flute would be nice.
Q: What was your career path? How long have you been doing this?
A: I like to work with music mainly for passion, my main goal is to be an accomplished and successful music producer releasing records, but also as an audio engineer.
Q: How would you describe your style?
A: Experimental, not pop at all.
Q: Which artist would you like to work with and why?
A: Nicolas Jaar, I feel like its the type of music I'd like to make. But I'd also like to work with Thom York or the guys from Mogwai
Q: Can you share one music production tip?
A: Trust your gut feeling, but patience is important
Q: What type of music do you usually work on?
Q: What's your strongest skill?
Q: What do you bring to a song?
A: Synthesizers, drum machines and electric guitars.
Q: What's your typical work process?
A: I like to listen the track several times, checking its spectrum, on my KRK monitors and with my Ollo headphones, I like to explore different types of mix, but I always use a nice mastering chain together with tapes, such as J37 or Kramer.
Q: Tell us about your studio setup.
A: I like to work with Ableton live 10, using my Push 2, together with external plug ins, mainly Abbey Roads plug ins from Waves, they are my favourite.
Q: What other musicians or music production professionals inspire you?
A: Nicolas Jaar, for the originality of his sound design and composition, in modern terms. But I also get a lot of inspiration from records made in the 60s, early 70s and early 90s.
Q: Describe the most common type of work you do for your clients.
A: Mastering, mainly. But I also receive remix requests very often.